<?xml version="1.0" encoding="utf-8"?><feed xmlns="http://www.w3.org/2005/Atom"><title>The Outlet</title><updated>2008-07-05T09:13:21Z</updated><id>http://blog.liquidwordsproductions.com/atom.aspx</id><link rel="self" href="http://blog.liquidwordsproductions.com/atom.aspx" /><link rel="alternate" href="http://blog.liquidwordsproductions.com" /><generator uri="http://app.onlinequickblog.com/" version="2.0">Quick Blog</generator><entry><title>July Farewell Topic</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/06/18/july-farewell-topic.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-06-18:2d5e36d4-f342-4d12-bfbf-9ba024a5d934</id><author><name>Adele Nieves</name></author><category term="July Topic" /><updated>2008-06-25T23:42:44Z</updated><published>2008-06-18T12:04:00Z</published><content type="html"><![CDATA[<IMG id=_ctl0_ContentPlaceHolder1_ImageListControl1_Images__ctl0_ImageThumbnail style="BORDER-RIGHT: #c9c9c9 3px solid; BORDER-TOP: #c9c9c9 3px solid; BORDER-LEFT: #c9c9c9 3px solid; WIDTH: 158px; BORDER-BOTTOM: #c9c9c9 3px solid; HEIGHT: 113px" onclick="FocusImage('_ctl0_ContentPlaceHolder1_ImageListControl1_SelectedImageHidden','http://images.quickblogcast.com/91314-79682/Goodbye.jpg', '_ctl0_ContentPlaceHolder1_ImageListControl1_Images__ctl0_ImageThumbnail', '_ctl0_ContentPlaceHolder1_ImageListControl1_SelectedImageSize', '2048');" height=96 alt=Goodbye.jpg src="http://images.quickblogcast.com/91314-79682/thumbnails/Goodbye.jpg">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <A id=dlDisplay__ctl12_lnkImage href="http://www.webstockpro.com/Pixland/zz014032-Photo/"><IMG id=dlDisplay__ctl12_imgImage title="* Photo (zz014032)" style="WIDTH: 174px; HEIGHT: 115px" height=116 alt="* Photo (zz014032)" src="http://www.webstockpro.com/Thumbnails/Pixland/zz014032.jpg" width=170 border=0></A><BR><BR><BR>
<DIV><FONT face="Times New Roman,Times,Serif" size=3>Some&nbsp;sad news, as of July 20 <EM>The Outlet</EM> will be taken down. With both Adele and Melisa in graduate school, we've decided to end its short happy life. But as the saying goes, when one door closes, a window is opened. Wait, is that right, or is it the other way - never mind, it doesn't matter!</FONT></DIV>
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<DIV><FONT face="Times New Roman,Times,Serif" size=3>&nbsp;</FONT></DIV></DIV>
<DIV id=pastedDivNode name="pastedNode"><FONT face="Times New Roman,Times,Serif" size=3>While <EM>The Outlet</EM> will be missed, we are excited about the new opportunities opening up for Liquid Words, its staff and our community. We've enjoyed sharing our creative experiences and the amazing writing submissions with you. Thank you for all your support and we hope to work with you again in the future. <BR></FONT></DIV><BR>
<DIV id=pastedDivNode name="pastedNode"><FONT face="Times New Roman" size=3>Since this will be our last issue of&nbsp;<EM>The Outlet</EM>, we are leaving the topic open&nbsp;for anything you'd like to share. Tell what us you're up to, what you think is important, a silly joke, what you liked about <EM>The Outlet, </EM>a farewell message...it's up to you!</FONT> 
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<DIV><FONT face="Times New Roman,Times,Serif" size=3>Deadline:&nbsp;June 29, 2008 (Submissions will be posted by July 3)<BR><BR><A href="http://blog.liquidwordsproductions.com/2007/10/15/submission-guidelines-2.aspx">Submission Guidelines</A><BR></FONT></DIV></DIV><BR><FONT face="Times New Roman">E<FONT size=3>mail submissions to: </FONT></FONT><A href="mailto:info@liquidwordsproductions.com"><FONT face="Times New Roman" size=3>info@liquidwordsproductions.com</FONT></A><BR><BR>]]></content></entry><entry><title>Writing Opportunities</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/06/16/writing-opportunities.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-06-16:17a4a7b8-71b7-4f4e-9a29-6ab327e08e2b</id><author><name>Adele Nieves</name></author><category term="Opportunities" /><updated>2008-06-16T18:34:16Z</updated><published>2008-06-16T18:10:00Z</published><content type="html"><![CDATA[<P>&nbsp;</P>
<P><IMG src="http://images.quickblogcast.com/91314-79682/woman_writing.jpg" width=140 border=0>&nbsp; <IMG src="http://images.quickblogcast.com/91314-79682/Peoplewriting.jpg" width=350 border=0></P><FONT face="Times New Roman" size=3>
<UL>
<LI>The third annual Writing Show First-Chapter- of-a-Novel Contest is awarding $1000 for the best first chapter of an unpublished novel. We're also offering four other cash prizes and ten 750-word critiques. Early deadline May 20, 2008; late deadline June 20, 2008. Winners announced on October 1, 2008. Full rules, instructions for entering, and more detail can be found on The Writing Show <A href="http://writingshow.%20com/contests/%202008/2008callfor%20entries.html.">Website</A>. </LI></UL>
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<P><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">Looking for&nbsp;books by African-American authors--preferably male authors--which present African American males in a POSITIVE light. The book can be fiction or non-fiction. ..as long as it's exudes brothers in a favorable light (at least the MAIN character) and is written by an African American author I'm interested. Email me your list.<BR><BR>Yasmin Coleman, email: </SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><A href="http://us.mc508.mail.yahoo.com/mc/compose?to=apooo4u@yahoo.com" target=_blank>apooo4u@yahoo. com</A>, <A href="http://www.apooo.org/"><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">website</SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><BR></SPAN></A></SPAN><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">Promoting Our Voices, Showcasing Our Stories</SPAN></P></LI></UL><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">
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<LI><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">
<P class=ecmsonormal style="BACKGROUND: white; MARGIN: auto 0in 0pt"><STRONG>CREATIVE FREELANCERS CONFERENCE</STRONG><BR>Registration has opened for an exciting new conference that brings together an array of creative freelancers, including graphic designers, illustrators, photographers, and freelance writers. To my knowledge, this is the only major event to gather these various freelancers under one roof—so I'm excited about the various opportunities it will provide to readers of this newsletter.<BR><BR>If you're interested in learning more about this event that will take place in <?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /><st1:City w:st="on"><st1:place w:st="on"><SPAN class=yshortcuts>Chicago</SPAN></st1:place></st1:City> on August 27-29, check out <A name=www_creativefreelancerconferen></A>the <A href="http://www.creativefreelan%20cerconference.%20com/">website</A>, which provides more information, including how to register.</SPAN><BR style="mso-special-character: line-break"></SPAN></P></LI></UL>
<P>&nbsp;</P></FONT>]]></content></entry><entry><title>...but first; my farewell</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/06/03/but-first-my-farewell.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-06-03:16a5eeba-f217-4318-83cd-90a68cea24d1</id><author><name>Adele Nieves</name></author><category term="June 2008 Editorial" /><updated>2008-06-03T18:59:46Z</updated><published>2008-06-03T18:39:00Z</published><content type="html"><![CDATA[<SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><BR><IMG src="http://images.quickblogcast.com/91314-79682/farewell2.jpg" width=240 border=0>&nbsp; <IMG src="http://images.quickblogcast.com/91314-79682/FarewellFriends.jpg" width=190 border=0><BR><BR>The other day the gentleman seated next to me on the El Red Line informed me that, “people in <?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /><st1:place w:st="on"><?xml:namespace prefix = st2 ns = "urn:schemas:contacts" /><st2:Sn w:st="on"><st1:City w:st="on">Chicago</st1:City></st2:Sn></st1:place> are allergic to bullshit.” <SPAN style="mso-spacerun: yes">&nbsp;</SPAN>Sounded like a fair assessment to me. He also offered, “If you throw it out the window, you better be able to catch it.” <SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">That one I had a little bit more trouble with. No matter.<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>In the spirit of my fellow Chicagoans, I want to share that my time as Editor in Chief of The Outlet has come to an end. No Bullshit: Graduate school has consumed more time and energy than I believed possible.<SPAN style="mso-spacerun: yes">&nbsp; </SPAN>And while I know all of the stress, angst, and-- did I mention stress? –of school will be worth it in the end, I love The Outlet, and it was hard for me to let go. <BR></SPAN></SPAN><BR><SPAN style="FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">I love reading the submissions every month, and being introduced to and inspired by so many fine writers and artists. I’ll miss the camaraderie and support provided by my colleagues, who never failed to lend a hand-- or throw a quip--when I needed one (yes, <?xml:namespace prefix = st1 ns = "urn:schemas:contacts" /><st1:GivenName w:st="on">Fritz</st1:GivenName>, I’m talking about you). <SPAN style="mso-spacerun: yes">&nbsp;</SPAN>I believe that the concept we came up at The Outlet; to offer a platform and a space for others to share their work and views, is a phenomenal one and I am honored to have played a part in realizing it.<BR><BR>So, a big thank you to Adele, Liquid Words, and all those who have contributed to and continue to contribute to&nbsp;The Outlet. You have made the last several months the richest of my writing career. Feel free to drop me a line anytime--<A href="mailto:anytime--melisa@liquidwordsproductions.com">melisa@liquidwordsproductions.com</A> and let me know what you're up to. And if you're ever in Chicago, suffering from allergies, look me up.<BR><BR><BR><BR><IMG style="WIDTH: 157px; HEIGHT: 141px" height=333 src="http://images.quickblogcast.com/91314-79682/MyPic.jpg" width=491 border=0><BR><BR><STRONG>Melisa Resch</STRONG><BR>Editor-in-Chief</SPAN>]]></content></entry><entry><title>Minnesota State Fair, 1969</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/06/03/minnesota-state-fair-1970.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-06-03:8dd9a8ee-0210-4245-967a-222d34818b52</id><author><name>Adele Nieves</name></author><category term="June 2008 submission" /><updated>2008-06-03T18:57:26Z</updated><published>2008-06-03T18:33:00Z</published><content type="html"><![CDATA[<FONT face="Times New Roman" size=3>By Gary Bloom<BR><BR>Cotton Candy and corn dogs<BR>and stock car races that shook the ground<BR>The hippodrome, the carnival rides,<BR>the barker's enticing cries.<BR>Young girls I would never see again<BR>and voices that were all lies.<BR>The deafening sound of fireworks,<BR>the lost feeling of being in a crowd.<BR>The children were all screaming<BR>and no one could be found.<BR><BR>The Minnesota Eight<BR>and a war raging on far away.<BR>The smell of burning rubber<BR>and insecticide.<BR>Standing silently in a long line<BR>waiting for my turn.<BR><BR>-end-</FONT>]]></content></entry><entry><title>Life and Spite</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/06/03/life-and-spite-2.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-06-03:1454cbfc-1c18-4b51-95b9-b8a8205caa65</id><author><name>Adele Nieves</name></author><category term="June 2008 Column" /><updated>2008-06-03T19:02:08Z</updated><published>2008-06-03T17:08:00Z</published><content type="html"><![CDATA[<IMG src="http://images.quickblogcast.com/91314-79682/Annoyyou.jpg" width=96 border=0><BR><BR><FONT face="Times New Roman" size=4><STRONG>By Fritz<BR><BR></STRONG><FONT size=3>I am disgusted by the upper middle class.<BR></FONT><BR><FONT size=3>This group of individuals has managed to fuck up the entire country in less time than it took the pyrotechnics at the Great White concert to burn down the club.<BR><BR>Why point the finger at the upper echelons of average rather than the ultra-upper class? Here's why: these ass-wipes have swindled every other class except the ultra-rich out of opportunities while being smug. Let's face it: the ultra-rick will always be the same people. Yes, they will get reality television shows and European shopping trips, but I can't really blame them for their indiscretions. After all, most of them are inbred and would have no opportunity to get in the sack with anyone if it weren't for all that money. So leave the ultra-rich alone. We can only blame them for creating a system of obnoxious consumption and sinister class-ism. The real threat is those goddamn middle class climbers.<BR><BR>Look down your street: five years ago, a young couple fresh out of college bought their first house. It was the largest house on the block; never mind their parents bought the damn thing for them, these brats are now shacked up in a house you've been working towards your whole life. Then, a week after they move in, you watch as brand-new appliances are loaded into the home, and the old kitchen finds its way to the curb, forlorn and abandoned by better stainless stell. The new dishwasher you put in last week looks battered in comparison; you put it in yourself because you read the 'how-to' books and had faith in your primitive plumbing skills. It doesn't end: Julie and Peyton (ohy, yes, their names are smug, too) bought that ubiquitous sports utility vehicle. Julie went on to grad school on her parents' dime while Peyton landed a $70,000 job working for a friend's father.<BR><BR>Eventually, Julie gets out of grad school only to find herself (shock!) pregnant with her first child. Peyton goes golfing to celebrate. Of course, the two thousand square foot home you would shoot yoru mother for is now 'too small' and is sold just before the housing market takes a dive. Now you'll never be able to escape the shit-hole you've been pouring your sould into, but Julie and Peyton just landed a trendy 3,000 square foot loft in the middle of the city "because it was jsut such a steal!" Suddenly, Julie and Peyton grow and environmental conscience. Of course, going green is still a hobby for the rich, so Julie is able to invests in energy-saving windows and she stops eating beef, but you're lucky to afford the dollar menu at McDonald's. Julie sneers at your for eating such garbage and contributing to 'the carbon footprint' —which has no doubt been carved out by Julie's family since 1776 when her ancestor started piling coal mountains on top of Native Americans—but now the carbon footprint is your problem and not Julie's, as she only eats from farmers' markets. Fortunately for Julie, the <EM>au pair </EM>(tha's 'nanny' for the plebeians) is able to concoct organic feed for the baby and Julie can now return to work with her husband.<BR><BR>Julie and Peyton complain about their taxes but concede the lower classes need opportunities like their own.&nbsp; Besides, between their parents' generous contributions and their modest $100K-plus salary, Julie and Peyton can afford great daycare and long vacations. While they are roaming around Tibet and 'ts-king' at the natives, Julie mentions to her child (named Hunter or Tristan) his obligation to his generation: love ceaselessly and give constantly. After all, the privileged have duties to those who go without, like the children of the ghetto.<BR><BR>Meanwhile, you cannot make ends meet. Your college loans are kicking your ass, and you have on idea why you didn't go into waste management—hell, that way you would be in a union and have a safety net in an ever-declining economy. But your four-year degree in communications and computer programming is hardly the golden touch you imagined it would be in high school. You ask for extended credit and help from friends, but they won't help out because they are fighting their own demons and feeling tragically guilty for still eating ground chuck. Your parents are too worried about retirement to even consider loaning you money and besides, if you ask, you're bound to hear what a failure you are at money management. Despite your desire to ask your parents what the hell they did to screw up the world so god-damned bad, you refrain and start to drink. The gardens you plant in your front yard die, withered and malnourished from the run-off of Julie and Peyton's old place. Not even your kitchen garden can survive Julie and Peyton.<BR><BR>Julie and Peyton keep breeding, like lice, espousing good values and leering at smoking car mechanics with tattoos and badges and foamy truck hats. The canvas bags purchased for the farmers market goods are slung over their shoulders as Julie and Payton ride the bus here and there, always sitting just a few too many seats away from their downtrodden neighbors. Even with their threats to save the world, Julie and Payton manage to only save their own kind. And you and your kind, at the bowlinig allies, at the night clubs, and the liquor stores—you are now the under-mentioned and the forgotten. Presidential candidates speak of your follies at bait shops and muffler stores, and pathetically, you trust them. And pathetically, the economy tumbles and falls into a depression and the country is auctioned off to corporations and China. And you are the feudal servant, whimpering for lack of shoes when a gentle hand extends to you. You look up into the well-meaning, close-set eyes of Julie and Peyton's offspring and see she is holding a pair of shoes.<BR><BR>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt">I could be exaggerating. Maybe the overpaid young adults aren't the real problem. It could all be circumstantial&nbsp;nonsense and the working poor are actually to blame. After all, this is the same class of moderately educated people who trusted the housing market, banks, and gasoline magnates. Senators and their economists would suggest Americans have been foolish to trust such entities—that the notion of working hard and gaining a stable life in return is a false assumption. I don't know. Maybe all I can do is stop making multiple trips in my car. I'll read more and watch "Oprah." I'll do yoga and take vitamins. I'll buy a compost bin and invest in organic beef. Maybe I'll buy a pair of earth shoes—they are supposed to be good for the spine. For God's sake, I'll be kind to my spine. I have a feeling I'll be needing it.<BR><BR><FONT size=2>Bio: Fritz is a frustrated writer and a frustrated woman. She still smokes and is a passionate advocate for fellow smokers. Mostly, she's planning her next diatribe or her next knitting project. She lives and works in the Detroit Metro area, but she dreams in red. Her home includes one saintly husband and one demonic cat.</FONT></P></FONT></FONT>]]></content></entry><entry><title>Thank You for Your Service</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/06/03/life-and-spite.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-06-03:9f65a7ca-d824-41d6-ac7e-812324e62abc</id><author><name>Adele Nieves</name></author><category term="June 2008 submission" /><updated>2008-06-03T18:58:03Z</updated><published>2008-06-03T16:52:00Z</published><content type="html"><![CDATA[<FONT face="Times New Roman" size=3>By Gary Bloom<BR><BR>First I want to thank you <BR>For your serivce to this country -<BR><FONT size=2>The politicans' rote cliché<BR></FONT><FONT size=3>Every time they talk to a soldier<BR>While thousands of veterans<BR>Live under bridges<BR>Still fighting the lies of Vietnam.<BR>Do they want to thank <EM>them<BR></EM>For their service<BR>Or just sweep them back<BR>Under the bridge?<BR><BR>-end-<BR><BR></FONT></FONT>
<P><FONT face="Times New Roman" size=2>Bio: Gary Bloom has been writing poetry for more than 20 years. He has a Bachelor's and Master's degree from Mankato State University, Minnesota. After surviving Hurricane Katrina and a long, tedious career as a computer programmer he now writes and fishes full-time on the Gulf coast.</FONT></P>]]></content></entry><entry><title>I've Lived Through it All</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/06/03/ive-lived-through-it-all-2.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-06-03:643dc44c-6593-4f55-89eb-bdca1412787c</id><author><name>Adele Nieves</name></author><category term="June 2008 Submissions" /><updated>2008-06-03T18:58:26Z</updated><published>2008-06-03T16:03:00Z</published><content type="html"><![CDATA[<FONT face="Times New Roman" size=3>By Arlene Weiss</FONT><BR><BR><FONT face="Times New Roman" size=3>I very well remember my first experience of something called "war." It happened while my father was paying the check at the New Taloi Inn, a small Chinese restaurant located in my hometown on southern Long Island. Once a month or so our family would go there for a special treat. And every time the unfortunate pock-marked waiter, Charlie saw us coming up the stairs, he ran out to buy a loaf of white bread for my father, who was a rather unadventurous man and didn't take to oriental foods too well.<BR><BR>As my father was paying the bill, I was starring at the flyer pasted next to the cash register, showing a horrible scene of death and destruction: Japanese soldiers beating and stabbing Chinese women and children. "Give to help the suffering Chinese people, being tortured and killed by Japanese monsters" read the few words. This was my first glimpse of something called "war," something I had no comprehension of before.<BR><BR>Then, in the late 30s, the name "Franco" appeared somewhere in my childish brain. He was a bad man and Americans were going to fight this "Franco," who I later found out had nothing at all to do with France.<BR><BR>Now let's push the clock forward to 1960. I went to Spain to visit a friend, a biology teacher at an American air base outside of Madrid. One night in his hotel, I went up to the front desk and asked to buy a postage stamp. I looked at the stamp briefly, and&nbsp;had to take&nbsp;a second look. I was shocked and said, without really thinking, "Franco!" He was still living and still the dictator of Spain. I hastily pulled out a letter in my pocketbook which I had just received from my mother, pointed to the stamp and practically screamed at the clerk, "Look who we have on OUR stamps - ABRAHAM LINCOLN!" To this day I wonder if the astonished young man had even heard of our great American president.<BR><BR>Back to the early 40s for a moment. Events began to take on a much more serious note. I was lying in bed upstairs in our house when I heard the adults below, talking in whispers. "You really think it could happen here?" I heard my mother ask. And at the same moment I heard my father, banging down his fist on the kitch table, shouting, "Of course, those Nazis can come over here. Who will stop them?"<BR><BR>Would America enter the war in Europe? A German U-boat had already been discovered at the very tip of Long Island, about 50 miles east of where we lived. I must admit at that age I couldn't really see much danger, but I found the whole idea of foreign enemies landing on our shores rather exciting.<BR><BR>On the radio we heard the cultivated voices of British children saying, "We are here for the duration." I asked my older sister what that meant - what was the "duration?" She didn't know either. Photographs began to appear in the Journal American of bombed-out London, on air raid shelters, and families all huddled together as the bombs fell. Funny, while we in the States were dancing and "jiving" to the great music of Artie Shaw and Benny Goodman, our British cousins were crowded together in bomb shelters.<BR><BR>The war dragged on and gold stars began to hang from windows. But aside from making bandages and saving scrap metal and animal fat, we really didn't suffer much from World War II. It was about that time that my family took in a Polish refugee, who really was a delight. Always smiling - and singing! I remember one night he walked in the house humming, "Five minutes more, give me five minutes more!" Suddenly a vision of wedding bells,&nbsp;the European Herman Steinberg was introduced to my cousin in Boston, several visions appeared to my mother, and about six months later our Herman Steinberg married our cousin Dorothy from Boston.<BR><BR>The Korean war came and went, the Vietnam war came and went and now THIS! I ask you, Bush, Cheney, and Karl Rove: have you no memories?<BR><BR><FONT size=2>Bio: Arlene spent over 15 years working for major NY agencies. She also freelanced for Manischewitz Wines (commericals on the air for five years in a row), Keri Skin Cream, Sabena Belgian Airlines, Intercontinental Hotels, plus she created a prize winning print campaign (Los Angeles Times0 for a housing development in Palos Verdes. </FONT></FONT>]]></content></entry><entry><title>Talking to Kids About Sex</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/06/03/ive-lived-through-it-all.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-06-03:be303550-e677-4bcf-99ef-17e485559712</id><author><name>Adele Nieves</name></author><category term="June 2008 Submissions" /><updated>2008-06-03T18:59:05Z</updated><published>2008-06-03T14:03:00Z</published><content type="html"><![CDATA[<P class=MsoNormal dir=ltr style="MARGIN: 0in 0in 0pt"><SPAN style="mso-fareast-font-family: 'Arial Unicode MS'"><FONT size=3><FONT face="Times New Roman">&nbsp;By Ouyang Dan<BR><BR>I was eleven years old and it was the summer before I began the sixth grade. I woke in alarm and could feel the bed was wet. I got up, turned on the lamp and started toward the bathroom connected to the bedroom. I was so embarrassed thinking I had wet the bed.<BR><BR>My younger brother and I were staying with our dad for the summer. Dad was at work, so we were spending the night at our grandparent's house. "Crap," I thought, Grandma is going to be so angry I wet the bed at my age." It wasn't uncommon; I had grown up with a small bladder and many infections, and had wet the bed before. As I caught a glimpse of myself in the mirror, my alarm turned to panic in a very My Girl moment. There was blood everywhere. It couldn't be good for that much to leave my body all at once. My bed looked like a murder scene. I was dying. There was no other explanation.<BR><BR>I ran up to my grandparent's bedroom, and hurriedly woke my grandmother. I told her something was horribly wrong. She got out of bed and followed me to the bathroom. I remember the look on her face, something between amusement and annoyance at having been woken up. She handed me a towel, a clean night gown, and a thick white things. She told me to shower up and change while she changed my sheets. When I finished, she showed me how to stick the thing in my underwear and sent me, still bewildered and half crying, back to bed.<BR><BR>In the morning she told me I had just "become a woman." She gave me some books, which I am certain were written circa 1965, and told me to read them, and also told me tampons were bad for my body (it was years before I was convinced otherwise.) She took care of explaining to my father when he arrived to pick us up after breakfast the events of the past night. I spent the next few nights holed up in my room reading about female and male anatomy, puberty, necking and petting, snickering to myself and re-reading the part about intercourse and ogling the scientific drawings of penises. The books were full of pictures of sanitary napkin belts and never even mentioned STIs or contraceptives. I'm absolutely sure it stressed that one should abstain from sex until marriage.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And that was that.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;That was my big sex talk. My big lesson on the "birds and the bees"<BR><BR>I didn't even know that periods didn't last forever. Shit, until that moment I had never heard of a period. I thought I was going to have to wear this miniature diaper every day for the rest of my existence. I spent the next several days lamenting the realization of no more swimming, and how I would never ever be able to speak to my guy friends again. I was mortified, and angry no one had ever thought to warn me this was coming.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And I so did not need this shit going into Junior High.<BR>And I was bleeding. How gross was that? All that dirty blood gushing out of me. I felt like I was supposed to hide it and keep it a secret, even though it was no secret it happened...well not to anyone but me, since I hadn't seen it coming.<BR><BR>For me, Sex Ed in High School meant dividing the girls and boys. While the boys did whatever it was they did, we were told that our virginity was precious and that "blue balls" was some crazy story made up by guys to get us to "give it up." One day they passed around a condom and let the students touch spermicidal jelly, but I had a dentist appointment that day, so I never saw them. There was duct tape, and something about not wanting to waste all the sticky before marriage. <BR><BR>When my Senior Year boyfriend and I got all exploratory we pulled back and cried from shame. The only thing that kept us from having sex was shame, and not really understanding the mechanics of where things went. Hell, I didn't even know girls had more than one hole until I was pregnant. I thought you peed on tampons and out the same hole where the clit lives. I knew what a penis looked like, but had no idea what was going on between my own legs. I was curious, and maybe a little bored, but too embarrassed to ask anyone about sex. So I didn't have it. It was a word we whispered and giggled. I was insulted when people suggested I was actually taking part in the "dirty" sex. Only something dirty girls did that, apparently, and no one was to talk about it. As for masturbation, I thought it was something only perverts did.<BR><BR>I was nineteen by the time I had sex. I was still going to church, so with sex came a ton of guilt. It wasn't a big deal, actually. The guy was incredibly kind and understanding when he realized I had no idea what I was doing, and I think it went well. Or as well as it can on the bottom bunk of a college dorm room. Thank goodness he had experience, because I honestly had no clure about what I was supposed to do. We never did it again. While I enjoyed it, I still had all the guilt jumbled up inside, and decided I wasn't ready after all.<BR><BR>I didn't know what to think about sex. I didn't want to ask my mom, because oh my god, was <EM>that </EM>going to be embarrassing. And what is she was angry? It just seemed so overwhelmingly above my head...I just wanted someone to talk about sex. Someone who wasn't leering at or hitting on me; someone who could tell me that it was okay to enjoy it, and help me to not feel guilty.<BR><BR>I am pretty sure no one in my family talked to me about sex again until I was 22 and had given birth to my daughter, when I heard my grandmother make a joke about blow jobs. Yes, my grandmother said "blow job." I had stitches in parts of my body I didn't know existed, gave birth never having had a proper orgasm, had a tiny mouth suckling on my boob, and now was hearing my Nana say "blow job."<BR></FONT></FONT></SPAN><BR><FONT face="Times New Roman" size=3>Someone should have told me. Someone should have said "Hey, Brandann, you are going to have all of these urges, and it's perfectly normal", but no one did. Someone should have told me that my body was going to change someday, that besides growing boobs and getting hair in places I didn't think needed it, things were going to happen to me. Someone could have taken the time to explain that all that blood wasn't dirty, but a sign I had grown into maturity; it meant I was able to get pregnant and would someday enjoy sex. Someone cold have explained what my godammed reproductive system was really supposed to do. But no one did. I had to figure it all out on my own.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And that put me at risk.<BR><BR>All the hush-hushedness and stigma surrounding sex set me up to make potentially bad choices. I was so sure sex was dirty that I didn't even tell my gynecologist I was sexually active. I was taking the pill because of ovarian cysts discovered when I was 14, so I didn't see the need. I knew about a few STIs, but nothing reliable about how you spread them. Someone actually told me chlamydia was just like a yeast infection and spread the same way, and I wasn't corrected on this until I actually had it. I might have known about other methods of birth control, and when the ol' "I'm allergic to condoms" line rolled around, I might not have wound up pregnant at 21.<BR><BR>Someone should have cared enough to speak up and be honest with me about sex. Not that my family didn't love me, they just didn't think I would be "one of those girls," and probably wanted to "protect me." Maybe they figured I would learn it all in school. But by the time we are teenagers the silence built between ourselves and our parents is deafening, so neither side feels comfortable bringing it up.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;We need to end this family tradition of silence.<BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;And parents need to grow up and stop feeling awkward and frightened to talk about sex with their kids. <BR><BR>If we start young and begin with basic facts about our bodies, it forges a little path. It provides a gateway to discussing what a good touch is and what is a bad touch. If instead of telling a three year-old that they "can't play with their pee pee," we encourage them to do it in a bathtub or some other private, appropriate place, and at an appropriate time, we help them recognize that it is normal to want to feel those good "tinglies," and give them the first lesson about safe sex. We could erase early on the stigma that sex is dirty and that touching yourself is shameful.<BR><BR>Talking to younger children creates a framework for talking about bodily autonomy, and how no one shold ever touch you in a sexual way when you are young, or against your will when you are older. It gives us a chance to teach little girls that it is just as acceptable to stick her hands in her underwear as it is for little boys to walk around yanking on themselves like their penis is a "Stretch Armstrong." We can help them be comfortable with their bodies, and with talking to parents about sex and feelings. It seems to me that parents, given the choice, would prefer their kids to be home masturbating rather than doing-who-knows-what with who-knows-who and who-knows-where, so why don't we let them know that self-pleasure is perfectly normal?<BR></FONT><FONT face="Times New Roman" size=3><BR>Even at older ages, we should treat masturbation by children as just another part of their development, and part of their privacy. Be nonchalant about it so they don't get embarrassed, and teach them to lock the door to avoid surprise laundry deliveries (and don't freak out thinking your daughter is bulimic when she takes extra long showers).<BR><BR>Taking time to talk about sex with young children creates a time for learning the proper vocabulary of anatomy and allows for future talks about bodies. By starting young, with age appropriate material, we can create a comfort zone for sex talks about big issues. We give our children the opportunity to learn about sex from the proper channels, at home, in a&nbsp;loving and non-judgmental environment, and can encourage them to ask questions. My five year-old is the newest resident expert on human reproductive anatomy, and I want her to be comfortable enought to ask me any question about her body. Children must learn the basic anatomy that a startling number of grown-ups don't know. If it becomes normal for parents and children to talk about topics easily, than they won't think twice about asking difficult questions, like questions about sex.<BR>But talking isn't enough. Not nearly.<BR><BR>We as parents, and by extension primary educators, have an ethical obligation to make sure those talks are full of accurate information. From teaching a five year old the difference between a vagina and a vulva to talking to a teenager about protection during sex, we need to make sure we are telling the truth. We should certainly instill values, and teach religious lessons, but should never let them cloud the facts. It's okay to tell your kids that your chosen gods wants them to wait on sex until marriage, but it's also okay to tell them if they choose to do it sooner, it is important to protect themselves.<BR><BR>Teaching the facts will arm our kids with knowlege against an onslaught of misinformation that is available. Just as we would never send a soldier or sailor into combat without a proper weapon, we should be equally vigilant about teaching children to protect their bodies once they are no longer under our constant care.<BR><BR>The boys, too. Show them where to buy condoms. Explain that if they are too ashamed to buy rubbers, they are too ashamed to have sex. Teach them about enthusiastic consent. Teach them how to put the condom on. Teach the girls how to put the condoms on. Teach them the consequences of not protecting themselves, and give them the truth about their options if they accidentally get sick or pregnant. Be their parent, teacher, and their best friend to whom they desperately come for advice.<BR><BR>And for the sake of all that is important in their lives, teach them free from judgment. They have the world and the media and the rest of their lives to be slut-shamed and told that sex is bad and that their self-worth is between their legs or silly piece of fragile tissue. Let them start out loving and accepting themselves, their bodies, and their feelings. Talk to them about how sex is awesome in the right context - because it pretty much rocks - and let them choose for themselves how to feel about it once they have all the important <EM>factual</EM> information.<BR><BR>We need to take the confusion out of sex and sexuality, so children leave the sanctuary of the home with the the tools to make informed decisions on their own. Preventing confusion may not prevent rape, but it will give the next generation a better chance at being safe in their world experiences, clear about what they want when things get "hot and heavy," and comfortable to talk about it with someone they trust. Children have to grow up strong enought to know it's their right to say "no" to any type of sexual contact, and perhaps more importantly, that it is their right to give an enthusiastic "yes". <BR><BR><BR><FONT size=2>Bio: Brandann Rachela Hill/Ouyang Dan is a Sault Sainte Marie, Michigan born Native American, 20-something (formerly) single mother, proud pagan, feminist, owner of Randombabble.com. <BR><BR>She uses her superhuman tolerance for caffeine and chocolate for writing, blogging and raising a socially conscious feminist minded daughter.</FONT></P></FONT>]]></content></entry><entry><title>June Topic (Open Call)</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/05/11/june-topic.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-05-11:7be8aa81-76a8-433e-86da-3bbf49f2c572</id><author><name>Adele Nieves</name></author><category term="June Topic" /><updated>2008-05-11T19:43:39Z</updated><published>2008-05-11T19:19:00Z</published><content type="html"><![CDATA[<BR><IMG src="http://images.quickblogcast.com/91314-79682/Paradisesign.jpg" width=80 border=0>&nbsp;&nbsp;&nbsp; <IMG src="http://images.quickblogcast.com/91314-79682/Whitewaterrafting.jpg" width=163 border=0>&nbsp;&nbsp;&nbsp;<IMG src="http://images.quickblogcast.com/91314-79682/Fourleafclover.jpg" width=70 border=0><BR><BR><FONT face="Times New Roman" size=3><STRONG>OPEN CALL FOR SUBMISSIONS<BR><BR></STRONG><EM>The Outlet's </EM>staff often chooses&nbsp;the monthly topic for submission, but this month we want to hear from you!<BR><BR>Tell us what you are doing and how you are involved!&nbsp;This is the space for you to share your causes, your victories, strategies, work, joys, questions and rants. We want to hear about why you do what you do, what works and what doesn't, your newest favorite thing, what makes you outraged, and your hopes and inspirations.<BR><BR>Deadline:&nbsp;May 27, 2008<BR><BR><A href="http://blog.liquidwordsproductions.com/2007/10/15/submission-guidelines-2.aspx"><STRONG>Submission Guidelines<BR></STRONG></A><BR>Email submissions to: <A href="mailto:info@liquidwordsproductions.com">info@liquidwordsproductions.com</A></FONT>]]></content></entry><entry><title>Opportunities</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/29/opportunities.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-29:50e7e84c-eac8-4cc3-b182-722a5131eaf6</id><author><name>Melisa Resch</name></author><category term="April" /><updated>2008-04-29T18:25:49Z</updated><published>2008-04-29T18:18:00Z</published><content type="html"><![CDATA[<FONT face="Times New Roman"><FONT size=3>CALL FOR SUBMISSIONS<BR><BR>The 2009 edition of <EM>Songwriter's Market </EM>is accepting pitch submissions for articles geared </FONT><FONT size=3>toward the music industry. Articles will help aspiring songwriters achieve their goals of </FONT><FONT size=3>getting their songs heard by artists, agents and publishers in the music field. Especially </FONT><FONT size=3>wanted are "Insider Information" articles that take the reader into the process of submitting </FONT><FONT size=3>demos to music companies, with comments from decision-makers. Articles should be </FONT><FONT size=3>1,500-2,500 words. Pays on acceptance. Pitches only to Greg Hatfield, editor, at </FONT></FONT><A href="mailto:greg.hatfield@fwpubs.com"><FONT face="Times New Roman" size=3>greg.hatfield@fwpubs.com</FONT></A><FONT face="Times New Roman" size=3>.<BR><BR><BR><BR><BR><BR>SHARE YOUR OBSERVATIONS WITH IMAGINING AMERICA'S CURRICULUM PROJECT <BR><BR>On March 16, <STRONG>The Curriculum Project </STRONG>launched its online survey of people who care about </FONT><FONT face="Times New Roman" size=3>how we are educating community arts practitioners. The Project invites people in any of the </FONT><FONT face="Times New Roman" size=3>following five categories to spend a few minutes assessing the current state of community </FONT><FONT face="Times New Roman" size=3>cultural development education, both its strengths and its needs: Community artists and </FONT><FONT face="Times New Roman" size=3>arts/cultural organization leaders; community organization partners (who’ve worked with </FONT><FONT face="Times New Roman" size=3>community arts students); educators (in higher education and in community settings); </FONT><FONT face="Times New Roman" size=3>current students and recent graduates; and friends of the field (basically everyone else with </FONT><FONT><FONT face="Times New Roman" size=3>an interest).<BR><BR>Please go to our survey page at </FONT><A href="http://www.curricul"><FONT face="Times New Roman" size=3><A href="http://www.curriculumproject.net/survey.html">http://www.curricul</FONT></A><FONT face="Times New Roman" size=3>umproject.net/survey.html</A> and select </FONT></FONT><FONT face="Times New Roman" size=3>whichever category fits you best. Then just click on the link to take the survey. Other pages </FONT><FONT face="Times New Roman" size=3>at the site provide background information, including a glossary of key terms. Please </FONT><FONT face="Times New Roman" size=3>encourage friends and colleagues to take part any time before the survey closes on June </FONT><FONT face="Times New Roman" size=3>1st. Give us your email address, and we’ll let you know as soon as the project report is </FONT><FONT face="Times New Roman" size=3>published this fall; you’ll be able to download a copy directly from The Curriculum Project </FONT><FONT face="Times New Roman" size=3>Web site.<BR><BR><STRONG>The Curriculum Project </STRONG>was conceived by veteran community arts educators and activists </FONT><FONT face="Times New Roman" size=3>as a way of involving people in the community cultural development field in taking stock at </FONT><FONT face="Times New Roman" size=3>his important moment of growth: how are we educating community arts practitioners? How </FONT><FONT face="Times New Roman" size=3>could training in this field be deepened, strengthened, made more effective? What is needed </FONT><FONT face="Times New Roman" size=3>to effectively embody the field’s commitments to scholarship, training, and community </FONT><FONT face="Times New Roman" size=3>engagement? What is needed to support those doing good work and assist those who want </FONT><FONT face="Times New Roman" size=3>to develop new, excellent educational programs in community cultural development?<BR><BR>Thanks for taking part! <BR><BR>Curriculum Project core team and advisors:<BR>Ludovic Blain III, Jan Cohen-Cruz, Dudley Cocke, Arlene Goldbard, Jamie Haft, Sonia </FONT><FONT face="Times New Roman" size=3>BasSheva Mañjon <BR><BR>FEEL FREE TO FORWARD THIS MESSAGE</FONT>]]></content></entry><entry><title>Speak Out</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/18/speak-out.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-18:bd923977-71fb-4e69-9b9c-524a9fd1b3c6</id><author><name>Melisa Resch</name></author><category term="April" /><updated>2008-04-18T12:10:01Z</updated><published>2008-04-18T11:58:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3><A href="http://www.youarepriceless.org/">Young Women's Empowerment Project</A>&nbsp;wants street based youth to SPEAK YOUR MIND<BR>&nbsp;<BR>&nbsp;<IMG style="WIDTH: 350px; HEIGHT: 379px" height=323 src="http://images.quickblogcast.com/91314-79682/rjforwebsite_3.jpg" width=400 border=0><BR></FONT><FONT face="Times New Roman" size=3>This speak out was organized by YOUTH for YOUTH!&nbsp;&nbsp; Street based means if you identify </FONT><FONT face="Times New Roman" size=3>as being under age 25, homeless, are runaways, DCFS Wards, HIV positive, gang involved, </FONT><FONT face="Times New Roman" size=3>survivors of police brutality, survivors of sexual assualt, survivors of the mental health </FONT><FONT face="Times New Roman" size=3>system, have had an abortion, fugitives, squatters, sell drugs to surivive, use drugs, are </FONT><FONT face="Times New Roman" size=3>queer, are couch surfin, are disabled, LGBTQAATSI, feminist, activists, butch queens, </FONT><FONT face="Times New Roman" size=3>femme queens, transgender youth, butches, femmes,artist, rioter, involved in any part of the </FONT><FONT face="Times New Roman" size=3>sex trade, rebels, militant fighter, trader, tagger, writer, slam poiet, dreamer, racer, </FONT><FONT face="Times New Roman" size=3>vagbond,rapper, youth of color, girls of color, young parents and girls who are mothers, </FONT><FONT face="Times New Roman" size=3>freestyler, buttonmaker, anarchists, revolutionary thinker, or just plain surviving through the </FONT><FONT face="Times New Roman" size=3>day 2 day hustle and flow of our struggle.... THIS IS YOUR DAY TO SPEAK OUT!!<BR>&nbsp;<BR><STRONG>WHERE:</STRONG> Latino Cultural Center<BR>Lecture Center B2, Enter through 750 S Halsted&nbsp; **signs will be posted<BR><STRONG>WHEN:</STRONG> April 18, 2008<BR><STRONG>TIME</STRONG>: 6pm-8pm<BR><BR></FONT><FONT face="Times New Roman" size=3>Child care provided free!<BR></FONT><FONT face="Times New Roman" size=3><BR>Limited space available for adults. Adults interested in attending should email </FONT><A href="mailto:cindy@youarepriceless.org"><FONT face="Times New Roman" size=3>cindy@youarepriceless.org</FONT></A><FONT face="Times New Roman" size=3> to RSVP. Youth under 25 do not need to RSVP!</FONT></P>
<P><BR><FONT face="Times New Roman" size=3>This speak is being co sponsored by Young Women's Action Team, Chicago Abortion </FONT><FONT face="Times New Roman" size=3>Fund, Chicago Women's Health Center, Aqua Moon &amp; Unsilenced Woman Press, </FONT><FONT face="Times New Roman" size=3>Broadway Youth Center, Radio Arte, Illinois Caucus for Adolescent Health, Latinas </FONT><FONT face="Times New Roman" size=3>Organizing for Reproductive Equality, Empowered Fee Fees,Chicago Girls Coaltion, </FONT><FONT face="Times New Roman" size=3>Feminists United, MeSa, UIC Gender&nbsp; &amp; Women's Studies, Women and Girls Collective </FONT><FONT face="Times New Roman" size=3>Action Network &amp; Third Wave Foundation.<BR>&nbsp;<BR>&nbsp;<BR>Want to help us? JOIN our STREET TEAM by DOWNLOADING the black n white FLiER <A href="http://youarepriceless.org/node/168#attachments">HERE</A></FONT><FONT size=3><FONT face="Times New Roman"> and handing it out to all the youth you know!</FONT><BR></FONT>&nbsp;</P>]]></content></entry><entry><title>eMotion</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/11/emotion.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-11:7bfee106-47fd-4e4d-a35e-3d44715b7552</id><author><name>Melisa Resch</name></author><category term="April" /><updated>2008-04-18T12:08:10Z</updated><published>2008-04-11T18:27:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>This information comes&nbsp;from the artist&nbsp;Helen Redman. More information is available on her <A href="/www.birthingthecrone.com">website</A>.<BR><BR><BR><BR>This is about <EM>eMotion Pictures: An Exhibition of Orthopaedics in Art </EM>which opened at </FONT><FONT face="Times New Roman" size=3>the San Francisco Moscone Center in March and is now at the Chicago Cultural Center.<BR><BR><STRONG>eMotion Pictures: An Exhibition of Orthopaedics in Art<BR></STRONG>Chicago Cultural Center, G.A.R. Rotunda<BR>2nd Floor, 78 East Washington Street<BR>Chicago, Illinois<BR>April 17 – July 20, 2008. </FONT></P>
<P><FONT face="Times New Roman" size=3>Almost 1,200 entries were received from 17 countries and 45 states, representing a broad </FONT><FONT face="Times New Roman" size=3>spectrum of orthopaedic conditions. The jury included René de Guzman (Yerba Buena </FONT><FONT face="Times New Roman" size=3>Center for the Arts), John R. Killacky (The San Francisco Foundation) and Paul Pratchenko </FONT><FONT face="Times New Roman" size=3>(San Francisco State University). This unusual show features 200 works of art from 152 </FONT><FONT face="Times New Roman" size=3>artists (including children, surgeons and patients) who celebrate struggle and healing.</FONT></P>
<P><FONT face="Times New Roman" size=3>While I participated in e-Motion Pictures (2001), I hesitated to enter the 2008 exhibition </FONT><FONT face="Times New Roman" size=3>because it seemed like such a long time since my successful surgery for a herniated disc </FONT><FONT face="Times New Roman" size=3>had taken place (1980). Although musculoskeletal problems wax and wane as I age, the s</FONT><FONT face="Times New Roman" size=3>uffering and symptoms that beset and immobilized me in my forties are no longer part of </FONT><FONT face="Times New Roman" size=3>my life. I move freely now and alternate daily practices of Yoga, Qi Gong and physical </FONT><FONT face="Times New Roman" size=3>therapy. Yet, I realized that even after physical symptoms are gone, the emotions and fear </FONT><FONT face="Times New Roman" size=3>of reoccurrence are not. </FONT></P>
<P><FONT face="Times New Roman" size=3><EM>"Ultimately the whole and broken live side by side in us all."-- Estelle Frankel</EM></FONT></P>
<P><FONT face="Times New Roman" size=3>Reading the beautiful accompanying catalogue from start to finish gave me a sense of the </FONT><FONT face="Times New Roman" size=3>spirit, courage and resiliency of all the participants and a deeper understanding of how a </FONT><FONT face="Times New Roman" size=3>core condition impacts one forever. While surgery helped many of us, I read of persistent, </FONT><FONT face="Times New Roman" size=3>chronic problems: immobility and rigidity sometimes only finding flow and movement in art, t</FONT><FONT face="Times New Roman" size=3>hrough the paintbrush or lens of the camera.</FONT></P>
<P><A href="http://www.aaos75th.org/gallery/emotion_pictures.htm"><FONT face="Times New Roman" size=3>http://www.aaos75th.org/gallery/emotion_pictures.htm</FONT></A></P>
<P><FONT face="Times New Roman" size=3>Please forward this notice on to people you think would be interested, especially in the </FONT><FONT face="Times New Roman" size=3>Chicago area.&nbsp; THANKS!</FONT></P>]]></content></entry><entry><title>Pole Dancing To Gospel Hymns</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/11/pole-dancing-to-gospel-hymns.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-11:cec9aec9-597d-4cb3-831d-e6e4d10d93cd</id><author><name>Melisa Resch</name></author><category term="April" /><updated>2008-04-11T18:27:04Z</updated><published>2008-04-11T18:20:00Z</published><content type="html"><![CDATA[<FONT face="Times New Roman" size=3>Politically charged poet and activist Andrea Gibson will release her new book </FONT><FONT face="Times New Roman" size=3>of poetry, <EM>Pole Dancing To Gospel Hymns</EM>, July 1st on Write Bloody Publishing.&nbsp;A book </FONT><FONT face="Times New Roman" size=3>reading and performance tour of the major U.S. markets will follow in the Fall.With <EM>Pole Dancing To Gospel Hymns</EM>, Gibson, who has been rousing audiences </FONT><FONT face="Times New Roman" size=3>internationally with her poignant message and genuine interest in generating change, has </FONT><FONT face="Times New Roman" size=3>created a work that HBO Def Poet Carlos Andrés Gómez has called both deeply haunting </FONT><FONT face="Times New Roman" size=3>and profoundly inspiring. <STRONG>“Her words cut so sharply and completely they cannot be shaken. </STRONG></FONT><FONT face="Times New Roman" size=3><STRONG>To call her one of the best poets would be a gross understatement.”<BR><BR></STRONG>Hauntingly vivid, the poems in Pole Dancing to Gospel Hymns contain an unforgettable </FONT><FONT face="Times New Roman" size=3>internal voice that are rich with the kind of questioning that inspire action. Gibson’s work </FONT><FONT face="Times New Roman" size=3>deconstructs the foundations of the current political machine with reality-shattering honesty </FONT><FONT face="Times New Roman" size=3>and stunning spirituality.&nbsp;She highlights such issues as patriarchy, gender norms, and </FONT><FONT face="Times New Roman" size=3>capitalist culture.&nbsp;In the words of award-winning author Buddy Wakefield, “Whatever the </FONT><FONT face="Times New Roman" size=3>opposite of fooling someone is, Andrea Gibson does that.”<BR><BR>Pole Dancing To Gospel Hymns is Andrea’s first release since 2006’s CD <EM>When the Bough </EM></FONT><FONT face="Times New Roman" size=3><EM>Breaks</EM>. This is Gibson’s first full-length book, her previous 3 releases have been full-length </FONT><FONT face="Times New Roman" size=3>CDs.&nbsp;“I was actually in the early stages of recording a new record when I decided I wanted </FONT><FONT face="Times New Roman" size=3>to go in the direction of a book.&nbsp;It feels like a great way to reach people who wouldn’t </FONT><FONT face="Times New Roman" size=3>necessarily be inclined to sit down and listen to a spoken word album.”&nbsp;It’s also a way for </FONT><FONT face="Times New Roman" size=3>Gibson to experiment in her writing thus not entirely focusing on writing pieces for the stage. </FONT><FONT face="Times New Roman" size=3>“In a way, it gave me the opportunity to look at the poems in an entirely new light, to </FONT><FONT face="Times New Roman" size=3>experiment with form in a way I never had before.&nbsp;My favorite poems in the book are the </FONT><FONT face="Times New Roman" size=3>shorter poems, the ones that are only a few lines long.&nbsp;This is the only place they’ve lived.&nbsp;</FONT><FONT face="Times New Roman" size=3>It wouldn’t work to put a 10 second poem on a CD or on stage.&nbsp;So I like that they have a </FONT><FONT face="Times New Roman" size=3>home now.”<BR><BR>Write Bloody Publishing, who is releasing the book is thrilled to add Andrea to its existing </FONT><FONT face="Times New Roman" size=3>roster of performance-savvy poets.&nbsp;President Derrick Brown adds, “We are so excited that </FONT><FONT face="Times New Roman" size=3>our first release by a female author is Andrea. She is one of the stellar human beings on the </FONT><FONT face="Times New Roman" size=3>planet. She can cleanly pound all cynicism into submission with amazing lines of poetry </FONT><FONT face="Times New Roman" size=3>that roar from her rad, queer gut.” <BR><BR>Gibson has placed in the top four of five international finals stages in the last 5 years and </FONT><FONT face="Times New Roman" size=3>was the <STRONG>first ever champion at the Women of the World Slam</STRONG> <STRONG>in March 2008</STRONG>. As a touring </FONT><FONT face="Times New Roman" size=3>artist Gibson has headlined everywhere from the illustrious Nuyorican Poet’s Café, Music </FONT><FONT face="Times New Roman" size=3>and Arts Festivals nationwide and Universities throughout the U.S. and<BR>Europe.<BR><BR><IMG style="WIDTH: 190px; HEIGHT: 264px" height=901 src="http://images.quickblogcast.com/91314-79682/Book_Cover[AndreaGibson).JPG" width=700 border=0><BR><BR>Pole Dancing To Gospel Hymns<BR>$15.00<BR>Paperback<BR>ISBN: 9780981521305<BR>92 pages</FONT>]]></content></entry><entry><title>May Topic</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/04/may-topic.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-04:a49d0dd7-d78e-45c5-859b-3d32a185c3d3</id><author><name>Melisa Resch</name></author><category term="May" /><category term="Topics" /><updated>2008-04-06T20:17:12Z</updated><published>2008-04-04T15:57:00Z</published><content type="html"><![CDATA[&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <IMG style="WIDTH: 295px" height=247 src="http://images.quickblogcast.com/91314-79682/spiral_clock.jpg" width=320 border=0><BR><FONT face="Times New Roman" size=3>May topic: <STRONG>Time</STRONG><BR><BR>Tick tock, tick tock. <BR><BR>Wish you had more time? Or do the hours just stretch out before you?&nbsp; Are you an early bird or always fashionably late? They say that time is relative, so we want to hear about your relationship with time.&nbsp;<BR><BR>Deadline is April 25, 2008.<BR><BR></FONT><A href="http://blog.liquidwordsproductions.com/2007/10/15/submission-guidelines-2.aspx"><FONT face="Times New Roman" size=3>Submission guidelines</FONT></A><BR><BR><FONT face="Times New Roman" size=3>Email: </FONT><A href="mailto:info@liquidwordsproductions.com"><FONT face="Times New Roman" size=3>info@liquidwordsproductions.com</FONT></A>]]></content></entry><entry><title>...but first; did I offend your ears?</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/04/but-first-screw-shorthand.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-04:dea17eef-6304-4f25-be3d-6b15312b8bc8</id><author><name>Melisa Resch</name></author><category term="editorial" /><category term="April" /><updated>2008-04-06T20:18:32Z</updated><published>2008-04-04T15:49:00Z</published><content type="html"><![CDATA[<IMG src="http://images.quickblogcast.com/91314-79682/aimee.bmp" width=250 border=0><BR><BR><FONT face="Times New Roman" size=3>All I want to hear right now is </FONT><A href="http://www.aimeemann.com/"><FONT face="Times New Roman" size=3>Aimee Mann</FONT></A><FONT face="Times New Roman" size=3>. <BR><BR>I can’t stop listening to her. She’s an amazing musician and a heartbreaking songwriter (if you saw the movie <EM>Magnolia</EM>, you may remember her songs from the soundtrack). Her&nbsp;raw, honest songs are on a constant loop in my brain. When she advises, "wise up", I vow to change my ways.&nbsp;&nbsp;When she asks, "what's the matter with the truth, did I offend your ears?", I wonder how she read my mind. Ever had that feeling? When the music you’re listening to is exactly right for that moment in your life? <BR><BR>Music can stir us, move us, inspire us and heal us. It is at once shared and universal and intimately personal. It can create community and identity. And we often use it as shorthand to define others. C’mon, be honest; if someone tells you they’re counting the days until Creed reunites, or that they have a Clay Aiken tattoo, don’t you think about them differently? I’ve been guilty of it plenty of times, letting my perception of the music define the person listening to it. But the incredible thing about music is it's ability to defy our assumptions and challenge our beliefs. We may think the musical choices show us who a person is, but <EM>why</EM> someone likes a genre and how it makes them feel or think often reveals far more about them than a single glance at their playlist. And the way they found a particular sound—did they stumble upon it accidentally, did a friend introduce them, did they grow up with it?—tells you much more. Of course, to find that out you have to ask, there’s no shorthand.<BR><BR>But you know what? Screw shorthand. Nobody ever understood that mess anyway. Next time you ask someone what music they’re into, find out why they like that artist, or how they got into them. And allow music do what it does best: defy your assumptions, create community, and move you.<BR><BR>So how did I become an Aimee Mann fan? Through "The Great Lady of Soul", </FONT><A href="http://www.bettyelavette.com/"><FONT face="Times New Roman" size=3>Bettye LaVette</FONT></A><FONT face="Times New Roman" size=3>.&nbsp; In 2005, LaVette released "I've&nbsp;Got My Own Hell&nbsp;to Raise", a phenomenal album of songs by women songwriters. I fell hard for&nbsp;it, particularly her scorching version of "How Am I Different?".&nbsp;&nbsp;Once I pulled myself away from Bettye, I went in search of&nbsp;the original version and have been a Mann fan ever since. So thank&nbsp;you Bettye,&nbsp;wherever you are, I owe you one.&nbsp;<BR></FONT><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <IMG style="WIDTH: 262px; HEIGHT: 215px" height=192 src="http://images.quickblogcast.com/91314-79682/bettye.jpg" width=500 border=0><BR><BR><BR><BR><IMG style="WIDTH: 103px; HEIGHT: 91px" height=41 src="http://images.quickblogcast.com/91314-79682/MyPic.jpg" width=491 border=0><BR><FONT face="Times New Roman"><FONT size=3><STRONG>Melisa Resch<BR></STRONG>Editor-in-Chief</FONT></FONT><BR>]]></content></entry><entry><title>Memoir: A Musician’s Daughter</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/04/memoir-a-musicians-daughter.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-04:4d16b9fc-5beb-41a8-8f15-1e3b59c92238</id><author><name>Melisa Resch</name></author><category term="Submissions" /><category term="April" /><updated>2008-04-06T20:23:55Z</updated><published>2008-04-04T15:39:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>By Jamie Y. Marable</FONT></P>
<P><FONT face="Times New Roman" size=3>One often hears about the “preacher’s kid”—whether through gossip, public scandal, craftily woven novels, or personal stories. While I certainly would not want the kind of public attention preachers’ kids often receive, I can say that being the daughter of a musician is no less interesting. It is in fact an experience that one would have to live to fully understand.</FONT></P>
<P><FONT face="Times New Roman" size=3>I am probably my father’s biggest fan. A local saxophone player in Chicago, Illinois, he is neither rich nor world-renowned, but his passion for music has inspired me throughout my life. I Google him regularly to see what information is out there on him, ask him to save fliers, program copies and any other tangible items that I can place in a scrapbook, and sit proudly—front and center—whenever I have the privilege of attending one of his gigs. Whether he is writing and composing music at home, revving up at a rehearsal, playing at a local club, or performing at a festival, I get a rush from hearing my father play.</FONT></P>
<P><FONT face="Times New Roman" size=3>My earliest memories of music are from growing up in an apartment complex owned and occupied by local musicians on the South Side of Chicago. It was far from upscale, and not everyone would be able to stomach the beats and melodies that permeated the building throughout each day. For those of us who lived there, however, it was a way of life. And for me, it was routine to return home from school to the sound of drums, pianos, horns and singing as we walked toward the entrance to our apartment. Although my father and I shared many wonderful times together, I developed an understanding early on that rehearsal time at home was sacred. He would go into the den and close the double doors, and I knew that unless it was an emergency, I had better find something else to do besides bug him about trivial things! His music provided a wonderful background for all of my activities around the apartment—whether I was playing in my room, spending quality time with my mother, doing homework or writing poetry. At times my mother was irritated by his playing, but to me it was just “what Daddy does”; it came with the territory.</FONT></P>
<P><FONT face="Times New Roman" size=3>One of my favorite memories is going with my father to Old Town Chicago for rehearsals with a band he was playing with at the time. He always made the trips fun for me. There was a candy store we would stop at that featured giant barrels of candy. I remember developing a love for “rock candy” with its crystal-like appearance and super-sweet taste. We would stop there before or after rehearsal, and I would stock up on enough rock candy to last me until the next rehearsal.</FONT></P>
<P><FONT face="Times New Roman" size=3>Old Town was also where I developed my first crush on an “older man” named Kenny, who my father played with in the band. The rehearsals were in Kenny’s apartment in Old Town. He was in his late teens or very early twenties at that time, and I was still a little girl. However, I swore that when I grew up I was going to marry Kenny and we would grow old together in Old Town!</FONT></P>
<P><FONT face="Times New Roman" size=3>I will also never forget Donald, another musician that my father played with, who had mastered his Donald Duck impersonation and would have me laughing hysterically every time I saw him. He loved to make me smile, and his mission was always easily accomplished.People often ask if I play an instrument, and the answer is no. I always scored high on music aptitude tests that I took in school, but I never had a desire to become a musician. My father knows how to play a number of instruments besides the sax, and once I asked him to give me piano lessons. But I discovered learning to play the piano required much more patience and discipline than I was willing to devote as a young girl. Some time later I decided I wanted to become a singer, but that too proved to be a passing fancy. Instead of music, I chose writing as a form of creative expression. Ironically, whenever I write there is always music playing—if not actually in the background, then figuratively in my head.</FONT></P>
<P><FONT face="Times New Roman" size=3>The last time I had an opportunity to hear my father play was at last summer’s Chicago Jazz Festival. The annual festival showcases the talents of outstanding jazz musicians; some are known all over the world, and others are well-known and respected in the city. Seeing my father on stage brought back so many fond memories of growing up and learning about music through his life. My mind could not help but drift back in time to the days when I was a little girl who went with Daddy to rehearsals and relished the gift of music he so unselfishly shared with me. Each time I hear him play, that excited little girl returns. And although he is a humble man who tends to downplay his accomplishments, I could not be more proud of him for remaining true to himself and his craft.<BR></FONT><FONT face=Arial><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <IMG style="WIDTH: 152px; HEIGHT: 172px" height=746 src="http://images.quickblogcast.com/91314-79682/Daddys_Girl.JPG" width=700 border=0><BR></FONT><FONT face=Arial>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT><FONT face="Times New Roman" size=3>Me with my father, Edwin A. Daugherty, Jr. at the 29th annual Chicago Jazz Festival. Summer 2007<BR></FONT><FONT size=1><FONT face=Arial><EM>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<FONT face="Times New Roman">Credit: </FONT></EM></FONT><FONT face="Times New Roman">Shirley A. Daugherty</FONT><BR></FONT><BR><FONT face="Times New Roman" size=2>Bio: Dr. Jamie Y. Marable is a “born-again writer” who has returned to her first love after a long hiatus. A journalism major in college who wrote features articles and editorials for her college newspaper, she later went on to become a higher education professional. Read more of her work at: </FONT><A href="http://www.associatedcontent.com/user/88092/dr_jamie_y_marable.html"><FONT face="Times New Roman" size=2>Associated Content</FONT></A><FONT size=1><FONT face="Times New Roman" size=2>.</FONT><FONT face=Arial> </FONT></FONT></P>]]></content></entry><entry><title>Simple</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/04/untitled.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-04:dab34ec1-a51d-45fd-920b-831f56fc5b94</id><author><name>Melisa Resch</name></author><category term="Submissions" /><category term="April" /><updated>2008-04-06T20:48:11Z</updated><published>2008-04-04T15:25:00Z</published><content type="html"><![CDATA[<P dir=ltr style="MARGIN-RIGHT: 0px"><FONT face="Times New Roman" size=3>By Adele Nieves</FONT>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<BR><BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <IMG src="http://images.quickblogcast.com/91314-79682/Musicalnotes1.JPG" width=115 border=0><BR><BR><BR><FONT face="Times New Roman" size=3>On three separate occasions I've tried to express in writing the meaning of this song, my song, and its hold on me. Each time I came up blank.<BR>&nbsp;<BR>I realized I don’t want to share it. It’s mine, privately. And even if I could put into words the breathlessness the night E sat me down, shut off the lights, asked me to be quiet and introduced me to a song that melted my world away, I wouldn’t. I find no place for it in this room, in any room.<BR>&nbsp;<BR>The enormity of this feeling is mine and mine alone. It only plays for me; it doesn’t hold regular performances and doesn’t schedule guest appearances for the general public. When I listen to this song, I understand that love comes in many forms. Sometimes it is simply yours, to cherish silently.<BR>&nbsp;<BR>I want to be generous and break off a piece for you to savor, but it needs no acclaim, no paparazzi attention or writer’s critique. It is complete and whole exactly the way it is—untouched, uncomplicated and simple, and simply mine.<BR></FONT><BR><IMG src="http://images.quickblogcast.com/91314-79682/AdeleNieves.jpg" width=100 border=0><BR><FONT size=1><BR></FONT><FONT face="Times New Roman" size=2>Bio: Adele Nieves is a journalist, writer and activist, a co-founder of Liquid Words Productions, and one of the editors for <EM>The Outlet</EM>.</FONT></P>]]></content></entry><entry><title>The Song</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/04/the-song.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-04:267599dd-065a-4a83-aafb-c47387599995</id><author><name>Melisa Resch</name></author><category term="Submissions" /><category term="April" /><updated>2008-04-06T20:24:40Z</updated><published>2008-04-04T15:17:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>By Frank Little</FONT></P>
<P><EM><FONT face="Times New Roman" size=3>Here's to the maker,<BR>The film double taker,<BR>The illusion type faker.<BR>Guaranteed shaker,<BR>Paravision viewer.</FONT></EM></P>
<P><EM><FONT face="Times New Roman" size=3>Or it just may seem<BR>you lost the real scope of life,<BR>the hope of life,<BR>to cope with life,<BR>And found it on the screen.</FONT></EM></P>
<P><EM><FONT face="Times New Roman" size=3>And how many times have we heard that line?<BR>Do you think I'm blind, to trade my mind for what you call fine?<BR>Never in my time—I’m not in your movie.</FONT></EM></P>
<P><FONT face="Times New Roman" size=3>Do I have a theme song?</FONT></P>
<P><FONT face="Times New Roman" size=3>No. But “At the Movies” by Bad Brains is certainly a contender.<BR><BR>I have a strange relationship with this band. Like many others of my generation, my favorite hardcore punk band is arguably the most unique of the genre. In an overwhelmingly white subculture of punk rock, Bad Brains were black. In a musical and cultural movement that defied the authoritarianism and conformity of the Reagan era, Bad Brains were ultra-religious (Rastafarians, later born-again Christians) and homophobic. Like so many others touched by artistic genius, they were complex, and often contradictory. Yet at the same time there was jubilation, a love for life, a positive mental attitude, and a creative zeal that was simply beyond inspiring, especially in their earliest work of the late 1970s and early 1980s. </FONT></P>
<P><FONT face="Times New Roman" size=3>They were also helped by the fact that no one—and I mean,<EM> no one</EM>—could touch them, on stage or in the studio. Forget it. Stop trying. You simply accepted that they were the reigning champions of rock, and you were fine with that. Shit man, it’s Bad Brains.</FONT></P>
<P><FONT face="Times New Roman" size=3>I say “were,” because for me their career was largely over after their second full-length album <EM>I Against I</EM>. It represented a major shift in style, yet maintained all their brilliance and creativity. As for what came after this album, I don’t bother.</FONT></P>
<P><FONT face="Times New Roman" size=3>So, “At the Movies.” It begins with an effect-drenched reggae guitar intro, then shifts into high gear with an aggressive riff. The drums come crashing in, and we’re off. Forget about trying to understand the lyrics in this one. For one thing, the first 12 or 13 lines of the song are sung in about six seconds, and I think H.R. (singer) skips about half of them. Whatever. You don’t care, because your head is swirling in the rhythm and the rage. <BR><BR>Then something about “stale popcorn, don’t you stand in your chair.” What the…? Never mind. After a lead guitar break that’s over before it begins comes the second verse:</FONT></P>
<P><EM><FONT face="Times New Roman" size=3>A child is influenced by the make believe<BR>To take advantage of this truth is a cold-hearted sin.<BR>So I say to youth right now:<BR>Don't sway to the unjust!<BR>No matter what they say,<BR>Never give in, never give in.</FONT></EM></P>
<P><FONT face="Times New Roman" size=3>I understand this will sound corny as hell, but every time I hear these lines, my heart just moves into my throat. Half of me wants to cry, and the other half wants to start throwing chairs at walls because the energy of the music is so undeniable. I feel like I’m performing some injustice by <EM>not </EM>wrecking shit, you know? Or I want to grab anyone in the room by the shoulders and shake them, pleading “don’t you hear this? Please tell me you understand how beautiful this is!”</FONT></P>
<P><FONT face="Times New Roman" size=3>There are songs that make me feel like I can get up, grab the world by the throat and say “Not today, motherfucker—I’m the wrong one to fuck with.” This one is on that list.<BR><BR><FONT size=2>Bio: Frank Little is very much in love, and doesn't regard much else about himself as being of real consequence.&nbsp; However, he feels it is important to point out that the war is over, if you want it.</FONT></FONT></P>]]></content></entry><entry><title>Life and Spite</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/04/life-and-spite.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-04:9129f516-04b8-4629-a3dc-ab131b2a3d6f</id><author><name>Melisa Resch</name></author><category term="April" /><category term="Life and Spite" /><updated>2008-04-08T17:00:21Z</updated><published>2008-04-04T15:07:00Z</published><content type="html"><![CDATA[<FONT face=Arial><IMG src="http://images.quickblogcast.com/91314-79682/Annoyyou.jpg" width=96 border=0>&nbsp;<BR><BR><FONT size=3><STRONG>By Fritz</STRONG><BR></FONT><BR></FONT><FONT face="Times New Roman" size=3>Believe it or not, I have a penchant for the dramatic. <BR><BR>I enjoy exaggerating life's woes and miseries; I find that life is better experienced through pain, sourness and cynicism. While many of you have met other individuals like myself (those who cut off drivers in traffic, who mutter to themselves and glower at children, those who smell of smoke and must), you have no idea the depth of our tortured souls. Music has always been the band-aid for the near-suicidal. It is what keeps me sane; while I remain mildly pessimistic about my existence on Earth and its purpose, music reminds me that other people have felt just as miserable as I do, and through music they left a legacy of insecurity, pain and anger. <BR><BR>That's why I listen to Strauss' "Thus Sprake Zarathustra" while on the toilet—there’s no better time to reaffirm Nietzsche's overwhelming opinion that God is dead. Samuel Barber's “Adagio for Strings” is completely appropriate for either cleaning the cat box or (alternatively) shooting up. Often, I'll loudly play Beethoven's 9th symphony when Oprah comes on the television. Outside of the home, particularly at work, a wide variety of musical compositions flood my brain at every juncture. During staff meetings, I drum my fingers along to the Pogues, imagining my co-workers wasted and toothless. During a particular lecture from a particular librarian regarding a particular edition of <EM>The Joy of Sex </EM>is an opportune time to recall the caterwauling of Mozart's 'Magic Flute' arias. Suddenly, I am adrift in luscious mezzo-soprano staccatos rather than suffering the verbal Judo of a sexually-repressed bookworm.<BR><BR>One of my least-harmful hobbies is knitting. Yet I still experience some glee from shoving pointy metal needles through strands of wool. The violence that often arises from ripping back fabric or unraveling knots is matched only by the ferocious grunts of Rammstein and other industrial bands.&nbsp; If I am feeling powerfully ireful, the last thing I will listen to is Phil Collins because the man makes me want to rip my eyelids off and choke myself all at once. I have no patience for any kind of synthetic pop track underscoring this week's newest and greatest hip-hop rapper, but throw on some Goody Mobb or Wu-Tang Clan, and you are assured a broken car window upon which my head did pound. <BR><BR>The sad cloying truth is thus: Music is the factor in all of our sad lives that can help us define this mortal coil. Our hearts can come close to bursting when our ears hear just a few tones, laid on top of one another like succulent lasagna. While we all walk terribly different roads, we are all accompanied by the same honesty of music. Surely, even the deaf feel the tremble of bass or the whispering strings of pianos. Music is felt, it is heard, and we remember. Whenever humans have the astonishing pride of thinking themselves special, I chuckle. We are all the same bunch of molecules and veins, bumping into one another like an improvisational jazz troupe. Notes and words come out of our mouths, and though the sounds are different, the tonal qualities are exactly alike. Throughout cultures and continents, babies produce the exact same vowel sounds at the exact same stages of development, and respond to music in the same way. Language has developed from sound, and from language has come song. Whole religions could be based on music. Like any other fantastic plot, music has the power to shape and fulfill our lives. <BR><BR>"I wish they'd had electric guitars in cotton fields back in the good old days. A whole lot of things would've been straightened out."<BR>-Jimi Hendrix <BR></FONT>]]></content></entry><entry><title>Tales From the Classroom</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/04/04/tales-from-the-classroom.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-04-04:21126bd1-e93b-46aa-8b23-9920c7d880ac</id><author><name>Melisa Resch</name></author><category term="Education" /><category term="April" /><updated>2008-04-06T20:25:38Z</updated><published>2008-04-04T15:03:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>When I was in my late teens and a political activist, I remember hearing about the 1970’s rally cry of never trusting anyone over 30. I always laughed at that. Middle age would never happen to me. In fact it seemed impossible to comprehend that I would ever not be young. I knew it all, and I would always be right. I knew so many old fogies who were out of it. They dressed in pant suits recommended by some sales clerk. They listened to classic rock or the easy listening stations. They worried about credit reports and the future. Ha! What a pack of losers. <BR>&nbsp;<BR>Well, last week I had to face up to the fact that I was squarely out of my youth, and it ain’t coming back. I was on a field trip with my students when I realized that not only did I not recognize any of the music they listened to, I had absolutely no desire to listen to it at all. <BR><BR>I have always considered my musical tastes well-rounded, and I keep up with trends, but who the fuck is Chris Brown?&nbsp; I just can’t summon the energy to listen or search him out. The famous of the moment, they usually hold some appeal for me. Beyonce comes on and I can’t take my eyes off her, Shakira—I mean, I <EM>must </EM>watch the hips shake. Even an Usher video can hold my interest. But when I look at picture of Chris Brown in a magazine, I just don’t see the attraction. </FONT></P>
<P><FONT face="Times New Roman"><FONT size=3>The girls in my class faint at the mention of his name, the boys all have his stuff on their mp3s. And I have to sadly shake my head and admit, “Don’t trust any one over 30”.&nbsp; <EM>-Teach</EM></FONT></FONT></P>]]></content></entry><entry><title>Hermana, Resist!</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/03/25/resist.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-03-25:19579936-024c-4d18-ab2c-ca1b04882271</id><author><name>Melisa Resch</name></author><category term="March" /><category term="Opportunities" /><updated>2008-04-06T20:26:14Z</updated><published>2008-03-25T21:43:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>Hermana, Resist is accepting submissions for the next issue.<BR>&nbsp;<BR><STRONG>Hermana, Resist </STRONG>is a personal, political zine with literary tendencies which manifest in forms of poetry, free verse, haiku, short stories, journal entries, rants, raves, critiques, commentaries, photos, recipes and dreamy manifestos.<BR>&nbsp;<BR>Submissions should keep in mind what Hermana, Resist is, from folks who know that love is political. <BR>&nbsp;<BR>The best way to know what it's about is to read a past issue or two. <BR>&nbsp;<BR>-Women of color/Chicana/Xicana single mothers-send in your rants, pieces, articles<BR>-WoC/Chicanas-send in your poetry.<BR>-WoC bloggers, zinesters and revolutionary visionaries<BR>-feminist Chicanos/Xicanos<BR>-Unsent letters, for example-Dear white guy who asked if I needed a translator before I even spoke<BR>-Interviews with an Hermana.&nbsp;<BR>&nbsp;<BR>Send your best work, soulful, compelling, compassionate, angry, original and unforgettable.-send your history.<BR>Poets-up to three poems, artists &amp; photographers-send up to 5 images via email. <BR>&nbsp;<BR>Note: They the issue will most-likely be published in black and white. Writers who's work is published, will get a free copy of the issue. <BR>&nbsp;<BR><STRONG>This is the first time Hermana, Resist is being printed by a printing press!&nbsp; Be part of </STRONG><STRONG>Hermana, Resist!</STRONG><BR>&nbsp;<BR>Send submissions in Word format or text to </FONT><A href="mailto:noemi.mtz+hr@gmail"><FONT face="Times New Roman" size=3>noemi.mtz+hr@gmail</FONT></A><FONT face="Times New Roman" size=3>, include your bio, location (nothing specific, for example, El Sur del Valle, Occupied Cali).<BR>&nbsp;<BR>I'll also be setting aside a few spaces for ad space to help offset the printing costs. please email me if you'd like info on ad rates.</FONT></P>
<P><BR><FONT face="Times New Roman" size=3>Noemi Martinez<BR></FONT><A href="http://www.hermanaresist.com/"><FONT face="Times New Roman" size=3>http://www.hermanaresist.com</FONT></A><BR></P>]]></content></entry><entry><title>Late To The Party</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/03/18/late-to-the-party.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-03-18:a79b9e34-e3e4-47eb-89c9-ac42ccdefe72</id><author><name>Melisa Resch</name></author><category term="Submissions" /><category term="March" /><category term="Late To The Party" /><updated>2008-04-06T20:26:54Z</updated><published>2008-03-18T15:20:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>Our March <EM>LTTP</EM> contributor is Saiida Mumin Stoakley.&nbsp;<BR><BR></FONT><STRONG><BR><FONT face="Times New Roman" size=3>Are You a Guy or Abroad?<BR></FONT></STRONG><BR><FONT face="Times New Roman" size=3>By Saiida Mumin Stoakley<BR><BR>I shamelessly admit that&nbsp;Paris is my Passionate Pastime. It's a smooth euphoria like the creme whip hazelnut milk chocolate (or <EM>chocolat, </EM>depending on whether I'm in Michigan or Paris) that I so sensually enjoyed during my whirlwind week and three days in France. A group of Wayne State University students including myself traveled to Perfect Paris and the surrounding areas, globe trekking to Fabulous Fountainebleu, The Lovely Loire Valley, Vast Versailles and Classic Chartres. We&nbsp;tasted expensive wines, cheeses, peeled grapes and delightful desserts.<BR><BR>One evening, a handful of us girls went on an ice cream( <EM>la glace</EM>) hunt. Haagen-Daz is on every corner there, but we'd heard about a delectable dish of something special. We landed at the most heavenly little cold cream shop... where one small scoop cost 1,80 Euro! That's the equivalent to $2.50 here in the States. Nevertheless, the cool, creamy treasure was so worth the all-night search and price.<BR><BR>We explored on foot and tour bus the fun-filled French countryside and cool catacombs. We took scholastic notes as our petite, French, female guide took the twenty of us on an exclusive excursion. We visited historical monuments and were moved by the museums. The Louvre was especially beautiful and serene. I had to keep pinching myself so I would know I wasn't dreaming. The museum housed long hallways with perfect portraits in every corner. Some of the bold brass frames where so humongous that they stretched all the way down the corridor and took up an entire wall from painted ceiling to waxed floor (about 80 feet). There was one painting of a gentleman in royal blue knickers who had the most piercing dark eyes, I swear they were following me. It seemed so real, like some part of his spirit was there watching. . . waiting. It hurt to look into those eyes and I ran away. I didn't go far because as a horror writer I was intrigued. They say if you take a picture of a old portrait and there is a bright shiny reflection in the development, it means that person's ghost was watching you. Cool!<BR>&nbsp;<BR>I found my dreams and desires in Paris and you can too. Stay focused, stay in school, follow your heart, keep your feet on the ground and keep reaching for the stars. <BR><BR>(The end)</FONT></P>
<P><FONT face="Times New Roman" size=2>Bio: Saiida Mumin Stoakley&nbsp; is currently working on two new horror novels, Bleu and Those Darn Socialities.&nbsp; She is the dynamic author of MOI: French Confessions of an American Girl. She is a Wayne State University Alumna. Her worldwide travels and ethusiasm has made her a beacon of inspiration&nbsp; for students across the country. Renedevous with Ms. Stoakley at </FONT><A href="http://www.frencheuphoria.com/"><FONT face="Times New Roman" size=2>www.frencheuphoria.com</FONT></A><FONT face="Times New Roman" size=2>!<BR></FONT></P>]]></content></entry><entry><title>April Topic</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/03/06/april-topic.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-03-06:026927ce-2b52-44b7-996a-b443efe4a008</id><author><name>Melisa Resch</name></author><category term="Topics" /><category term="April" /><updated>2008-04-06T20:27:23Z</updated><published>2008-03-06T00:55:00Z</published><content type="html"><![CDATA[<FONT size=2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <IMG style="WIDTH: 375px; HEIGHT: 243px" height=384 src="http://images.quickblogcast.com/91314-79682/picasso_3musicians1921.jpg" width=639 border=0><BR><BR></FONT><FONT face="Times New Roman" size=3>April&nbsp;Topic:</FONT><FONT face="Times New Roman" size=3>&nbsp; <STRONG>Music.</STRONG>&nbsp;<BR><BR>Do&nbsp;you have&nbsp;your very own&nbsp;theme song?&nbsp;Is&nbsp;there a&nbsp;soundtrack to your life?&nbsp;Has a&nbsp;specific song changed your life or is there a song you wish everyone could hear?&nbsp;We want to know!&nbsp;Send your favorite songs, music stories or memories to&nbsp;<EM><STRONG>The Outlet.</STRONG></EM><BR><BR>Deadline:&nbsp;March 25, 2008. <BR><BR></FONT><A href="http://blog.liquidwordsproductions.com/2007/10/15/submission-guidelines-2.aspx"><FONT face="Times New Roman" size=3>Submission Guidelines</FONT></A><BR><BR><FONT face="Times New Roman" size=3>Email: </FONT><A href="mailto:info@liquidwordsproductions.com"><FONT face="Times New Roman" size=3>info@liquidwordsproductions.com</FONT></A><BR><BR><BR>]]></content></entry><entry><title>...but first; on the road</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/03/06/life-and-spite.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-03-06:377befc3-be36-422f-9db6-23a6fd2a07ba</id><author><name>Melisa Resch</name></author><category term="editorial" /><category term="March" /><updated>2008-04-06T20:27:59Z</updated><published>2008-03-06T00:24:00Z</published><content type="html"><![CDATA[<P><IMG style="WIDTH: 339px; HEIGHT: 194px" height=333 src="http://images.quickblogcast.com/91314-79682/road.jpg" width=700 border=0><BR><BR><FONT face="Times New Roman" size=3>Every noteworthy trip I have taken has been with my best friend in the world, A.&nbsp; We didn’t set out to be traveling partners, but that’s what happened, and it’s resulted in the&nbsp;most memorable&nbsp;experiences of my life.&nbsp; We've&nbsp;crisscrossed the country by car, plane, bus and even on foot. We've slept outdoors, on friend's floors and in luxury hotels. Some of the trips were work-related and some for pleasure, although we somehow always managed to make the business trips more about pleasure.</FONT></P>
<P><FONT face="Times New Roman" size=3>For example, we once took a crazy taxi ride high into the mountains of Acapulco in search of a tiny, hidden restaurant we’d heard tales of. After a bit of wandering we finally found it, and were welcomed by the old chef. He mixed his favorite rum cocktail for us, and told us there was no menu; you ate whatever he felt like cooking. Fine with us. That night, as we watched the sun dip below the mountains, we feasted on a dinner of quail eggs, pork in a smoky sauce and several other dishes I can’t recall, thanks to those rum cocktails. </FONT></P>
<P><FONT face="Times New Roman" size=3>We’ve aided political organizers in London defending the rights of asylum-seekers and immigrants, and visited crowded hostels—there were many of these—filled with people desperate to find a better life. Our hosts ushered us into their tiny rooms where we listened to harrowing stories about growing up in refugee camps or as child-soldiers. We heard from orphans and people who escaped the kind of hunger and poverty we will never know. We also learned not to refuse when our hosts offered us their only can of Coke or piece of fresh fruit, because refusal was a sign of disrespect, the type of rude behavior no amount of apologizing would erase. So we would share that can of warm soda or slice of pear, amazed at the genuine pleasure it gave them to be able to offer their guests something, anything, while we listened.</FONT></P>
<P><FONT face="Times New Roman" size=3>Then there was the Christmas we spent in Key West. At the end of a long day walking&nbsp;streets packed with chickens and tourists, we somehow wound up in a club watching the most god-awful drag show I had ever seen. One of the performers touted herself as the world’s oldest female impersonator. Seriously, it was bad. But fueled by holiday cheer and the realization that if you’re shimmying around on a stage to “Bootylicious” on Christmas, you definitely have no one else to be with, we emptied our wallets for the girls that night. Merry Christmas, Ladies! </FONT></P>
<P><FONT face="Times New Roman" size=3>From there we went on to South Beach where we had the misfortune of being in a hotel room next to a man who played the same Lionel Richie song on a continuous loop <EM>for hours</EM>. </FONT></P>
<P><FONT face="Times New Roman" size=3>There were and will be more cities, more adventures, and more lessons learned. Having A. as a traveling partner rocks. Nothing bonds you with someone like being stranded in a freezing train station or calling in sick to work to extend that trip that just doesn’t want to end. In fact, it’s been a while since we’ve had such an adventure, and I have a feeling another trip is not far off.<BR></FONT><BR><BR><BR><IMG style="WIDTH: 104px; HEIGHT: 94px" height=201 src="http://images.quickblogcast.com/91314-79682/MyPic.jpg" width=491 border=0><BR><BR><FONT face="Times New Roman"><FONT size=3><STRONG>Melisa Resch<BR></STRONG>Editor-in-Chief<BR></FONT></FONT></P>]]></content></entry><entry><title>F*cking Americans!</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/03/06/untitled-2.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-03-06:7fe0da53-ef77-4df4-9084-254256ce887f</id><author><name>Melisa Resch</name></author><category term="Submissions" /><category term="March" /><updated>2008-04-06T20:29:25Z</updated><published>2008-03-06T00:23:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>By Mykel Dicus<BR><BR>As a young entertainer, just starting out in the business, my world was all about singing for money. I had been fortunate to land a 10-month gig on board a cruise ship operated by Commodore Cruise lines, but almost a year after the cruise ended I was still in New York City and had yet to land another gig. My savings were going fast and endless auditioning wasn't what I had anticipated.&nbsp; I had student loans to pay, I was working two jobs, and was sharing a small studio apartment with three students. This was not exactly the career I’d envisioned.</FONT></P>
<P><FONT face="Times New Roman" size=3>Soon after moving out of the studio, however, I was hired as a multi-lingual singer/entertainer on board Chandris Cruise Lines. I was in love with the fact that I would be traveling to all the major ports in the Baltic and Mediterranean. Learning the material for eight different shows in five different languages was a slight challenge, especially since I was only fluent in English and Spanish. But this paled to the day I was almost killed in Casablanca.</FONT></P>
<P><FONT face="Times New Roman" size=3>On the cruise, I had made great friends with Craig, the sound engineer. Craig was broad-shouldered, blonde, blue-eyed, Ivy League-educated, and a spoiled rich kid from Wales. He’d been forced on the ship as punishment by his parents for burning down their guest house. I’d also befriended Debbie, a leggy young 19 year-old dancer out of Liverpool who had filled the last spot in the dance troupe. These girls were pretty impressive; they could do flips, cartwheels, and tap dance in circles while the ship swayed up, down, to and fro, in calm and not-so-calm sea weather. Debbie had a wild streak, and could drink any of the officers under the table. Craig loved looking preppy, playing monopoly and shopping in all ports we visited. We all got along well.</FONT></P>
<P><FONT face="Times New Roman" size=3>We docked in Casablanca on a bright sunny spring Saturday, and the three of us decided to spend the day shopping for leather goods. We’d heard the craftsmanship of leather goods in Casablanca was of the highest quality and very cheap. I was looking for a leather brief case, Debbie a leather purse, and Craig wanted a black leather biker jacket. Craig had serious expectations for this jacket, and his search for the perfect leather jacket dominated the trip. We literally spent an hour in every shop we passed so he could examine the stitching and inseam of every jacket that caught his eye.</FONT></P>
<P><FONT face="Times New Roman" size=3>The shops in Casablanca were poorly built. They had dirt flooring, the goods were protected with plastic tarps, if at all, and the rickety wood roofs were insulated with dusty hand-woven cotton fabrics bleached by the hot sun. <BR><BR>Craig spotted a row of jackets swaying in the wind at another shop. When we walked in, we fell upon the silent stare of the three hundred and fifty pound bearded shop owner. He sat below his prized collection of coats, his arms and legs folded, chewing on a piece of wood. He smiled, revealing his tobacco stained teeth. This man had the body of a sumo wrestler and probably the speed of an arthritic old man, or so I assumed.<BR><BR>Like a cat clinging to a screen, he strategically held onto corners of tables, using them to hoist himself up to a towering six foot three inches. He handed Craig the first jacket he wanted to see, then the second, then the third. After Craig’s fourth jacket, our shop keeper started to growl to himself. Craig was oblivious, and acting like a snob. By the sixth jacket inspection, the owner began to hiss under his breath, and his toxic foreign inflections spat venom at the nape of Craig’s neck. Debbie and I subtly suggested to Craig that his compulsive jacket obsession needed to end. It was clear that things were going to get bad.</FONT></P>
<P><FONT face="Times New Roman" size=3>Acting as if he never heard us, Craig announced he was done, and walked out of the shop like one of those soldiers marching in front of the Queen’s Palace. As soon as he turned the corner, the shop owner screamed, “You fucking Americans!” <BR><BR><EM>Fucking Americans?? </EM>My blood began to boil, and my thoughts raced at lightning speed. I stood there between the Dragon Slayer and Prince What-the-Fuck, the following questions running through my head: how can this blonde bitch just walk around in a foreign country and have no clue how to act?&nbsp; Why the hell does this shop owner think all American men are blonde and blue-eyed? Didn’t he hear Craig’s British brogue? Why couldn’t Craig sense he was royally pissing off this poor man trying to make a living? Was he doing it on purpose? What did fucking America do to that made this man hate Americans so passionately? What did I do to have this man to include me in his hatred? My pulse was racing. I can’t allow someone to treat me with disrespect, especially when I did nothing to provoke it. My mouth flew open, my diaphragm expanded, and at the top of my lungs I screamed, “Fuck you too!” Almost immediately, I knew this was not the smartest move. The next 20 seconds were the most horrific moments of my life.</FONT></P>
<P><FONT face="Times New Roman" size=3>Before I had a chance to turn and run, I was on the ground, flat on my back, with 350 pounds of man on top of me and 1,000 pounds of hatred radiating from his hands. He gripped my arm with one hand and the other was coming for my neck. I was choking on a cloud of dust, disoriented, and fighting to breathe with his knee on my chest, when four babbling younger versions of the shop owner came from behind and with all their strength pulled their father off me and dragged him back into his hovel. One of the four brothers helped me off the ground, and whispered in my ear “run, he will kill you, he is our father and he hates Americans.” No kidding.</FONT></P>
<P><FONT face="Times New Roman" size=3>I was completely helpless, in a foreign country, and with Craig and Debbie nowhere to be seen, on my own at that moment. Thankfully I managed to find my way back to the ship, and spent the afternoon in the infirmary getting a bandage put on my swollen and bruised arm, where the imprint of the man’s hand was still visible.</FONT></P>
<P><FONT face="Times New Roman" size=3>As I write this, I still don’t know what the fuck happened in this man’s life for him to hate Americans so much, but knowing wouldn’t make the moment any less terrifying.<BR></FONT></P>
<P><FONT size=1><FONT face=Arial><BR><FONT size=1><FONT face="Times New Roman" size=2>Bio: Mykel is a singer/performer, artist/producer. Visit him </FONT><A href="http://www.mykel.info/Home.html"><FONT face="Times New Roman" size=2>here.</FONT> </A></FONT></FONT><BR></FONT></P>]]></content></entry><entry><title>The Trip That Changed My Life</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/03/06/the-trip-that-changed-my-life.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-03-06:5b565d24-8504-427b-b2bc-35f5c2d32891</id><author><name>Melisa Resch</name></author><category term="Submissions" /><category term="March" /><updated>2008-04-06T20:30:03Z</updated><published>2008-03-06T00:13:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>By Natazzz</FONT></P>
<P><FONT face="Times New Roman" size=3>When I was 17 years old, I went on a hiking trip in Wales with my best friend. I’m not sure why I agreed to go with her. I was completely uninterested in endless fields full of sheep, and time has not changed this. We were planning to hike every day for about 20 miles, or however far it was to the next camping site. This would not have been too bad, except for the fact that Wales was experiencing a heat wave for the first time in 15 years. On top of that, the camping sites were a little more “basic” than I had anticipated; often it was just a field near a farm, without so much as running water. Before long, I started to complain, blaming my friend for suggesting the trip in the first place.</FONT></P>
<P><FONT face="Times New Roman" size=3>After a few days of hiking, we visited some of her friends. They had a lovely little house at the end of a narrow, winding road. Next to the road was an abyss, about 70 feet deep. While we were there, my friend decided she wanted to learn to drive a car, and that she would learn under the guidance of her 17-year-old friend, who did not have her driver’s license. And stupid me got in the back of the car. To this day, I still don’t know what made me get in the car.</FONT></P>
<P><FONT face="Times New Roman" size=3>My friend was driving slowly along the little winding road. She was doing well; she paid attention to what she was doing, and did a fine job avoiding some sheep. All of a sudden she accidentally hit the accelerator instead of the clutch, and the car raced forward. Both girls in the front panicked, started to scream, and if things weren’t bad enough already, my friend let go of the steering wheel. I can picture myself sitting in that car so vividly. I grew very quiet, and watched as the car sped faster and out of control off the road, heading straight for the abyss. I remember thinking, <EM>“I cannot believe this is happening”, </EM>and <EM>“I am going to die.” </EM>I was waiting for my life to flash before my eyes, but nothing happened. Then again, at 17 I hadn’t accumulated very much life.&nbsp; </FONT></P>
<P><FONT face="Times New Roman" size=3>Instead of falling down into the abyss, we crashed into the one lone tree standing on the side of the little winding road. In fact, we wrapped the entire car around the tree. Lucky for us, the tree did not break, and even luckier that none of us were hurt, besides my friend needing four stitches in her chin. But that was the extent of the damage to us. </FONT></P>
<P><FONT face=Arial><FONT face="Times New Roman" size=3>I had never been so scared before in my life, and I had never been so glad to be alive. I can honestly say that this hiking trip in Wales changed my life. Not only did it teach me to never again do something so stupid, but it also made me value being alive in a completely new way. It has been 14 years since that hiking trip, but I still remember it like it was yesterday.<BR></FONT><BR><FONT size=1><FONT face="Times New Roman" size=2>Bio: Natazzz is an academic researcher, with a PhD. in psychology, a love for the written word, sarcasm, cute girls and anything geeky. She is currently living in Germany, but in the midst of looking for a new country to call home.</FONT>&nbsp; </FONT><BR></FONT></P>]]></content></entry><entry><title>Life and Spite</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/03/06/untitled.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-03-06:8ad29bc9-3d7f-478e-bc50-5e5b6bcedecf</id><author><name>Melisa Resch</name></author><category term="March" /><category term="Life and Spite" /><updated>2008-04-06T20:31:26Z</updated><published>2008-03-06T00:02:00Z</published><content type="html"><![CDATA[<FONT face=Arial><FONT size=1> 
<P><BR><IMG src="http://images.quickblogcast.com/91314-79682/Annoyyou.jpg" width=96 border=0><BR><FONT size=2><BR><STRONG><FONT face=Verdana>By Fritz</FONT></STRONG><BR></FONT><FONT face=Arial><BR><BR></FONT><FONT face="Times New Roman"><FONT size=3><STRONG>In honor of Women's History Month, I bought a new pair of pants.<BR><BR></STRONG>I figured my womanly posterior deserved a round of applause in some new khakis. It took a lot of shopping and time in fitting rooms because my posterior is one of the larger specimens out there. But it was worth it. I'm now the proud owner of two new pairs of pants. When I sit in my pants, I spread my legs out and enjoy the sensation of fabric encasing each leg. Pants are nice — I like the noise they make as my thighs rub while I walk. I like dancing in pants; I like the friction of pants.</FONT></FONT></P>
<P><FONT face="Times New Roman" size=3>Women didn't always wear pants. In fact, if you research women and pants on the Internet, you will find numerous sites touting the Biblical standard for skirts and dresses. Apparently, pants and women were a question in California until 1995, when the legislature allowed pants, pantsuits, and women to go to work together. My mother tells me she was not allowed to wear pants to elementary school. In high school, she was finally permitted to wear pants but never jeans.</FONT></P>
<P><FONT face="Times New Roman" size=3>Women and pants didn't come together until the 1850's, officially. The medical community in Europe discouraged women in pants; female genitalia would decay, it was believed, with lack of air provided by a skirt or dress. While plenty of men donned skirts and kilts, the religious community criminalized 'cross-dressing' women wearing pants. But the women in English coalmines (the pit brow girls) made an important discovery for themselves—pants were a superior garment when it came to physical labor. In 1869, women in Wyoming got the vote, and soon thereafter got rid of the sidesaddle. American women were swinging legs over horses and donned the britches of their male comrades. When women starting roping cattle and flying airplanes, pants were seeing more and more of the female physiognomy. WWII rationed clothing, so housewives put on their husbands' jeans and took up their husbands' jobs. When the men came home from the war and took back their jobs, they asked their wives to put back on their discarded skirts. But pants came back—dungarees, trousers, slacks, khakis, corduroys, jeans, capri’s, gauchos, shorts, hot pants, leggings—and women can't stop wearing them.</FONT></P>
<P><FONT face="Times New Roman" size=3>Women in pants have only been around for 175 years. Up until then, we did everything in dresses. We menstruated in dresses without tampons or pads. We rode horses in skirts and climbed ladders without underpants. We ruled countries in pinafores and had sex in tunics. We curtsied in bustles and courted in corsets. We defecated through holes in our bloomers. We fought for the vote in modest skirts and showed our ankles to very few deserving eyes. But pants are still new to our sex, and we can do anything we want with pants. We can feminize pants to show off our rumps, or we can sag them on our hips to shroud our crotches. We can break dance in our pants, we can chill in our sweats, and we can run companies in our power suits.&nbsp; </FONT></P>
<P><FONT face="Times New Roman" size=3>Women, let's praise our pants.&nbsp;In fact, give your pants the pleasure of you, <EM>sans</EM> </FONT><FONT face="Times New Roman" size=3>underwear. Have fun in your pants. You earned 'em.<BR></FONT><FONT size=1><FONT face=Arial><BR><BR></FONT></FONT></FONT><FONT face="Times New Roman" size=2>Bio: Fritz is a frustrated writer and a frustrated woman. She still smokes and is a passionate advocate for fellow smokers. Mostly, she's planning her next diatribe or her next knitting project. She lives and works in the Detroit Metro area, but she dreams in red.&nbsp;Her home includes one saintly husband and one demonic cat.&nbsp; </FONT></FONT><BR></P>]]></content></entry><entry><title>Monuments</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/02/24/monuments.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-02-24:493c8eb3-6395-40da-8608-f2f531b88c86</id><author><name>Melisa Resch</name></author><category term="Black History Month" /><category term="February" /><updated>2008-04-06T20:32:08Z</updated><published>2008-02-24T12:21:00Z</published><content type="html"><![CDATA[<FONT face="Times New Roman"><FONT size=3>History Hoopla continues! This Black History Month contribution comes from&nbsp;Nadine Oduor, a frequent contributor here at <EM><STRONG>The Outlet</STRONG></EM>. Thanks Nadine.<BR><BR>Years ago, I visited the grave of Malcolm X in New York and was shocked at his inconspicuous gravestone. It was was just an ordinary marker placed flat in the ground with the name El Hajj Malik El-Shabazz&nbsp; written on it. For this extraordinary man, a man blessed with intelligence, charisma, and great courage in a time when it was dangerous for Black men to be outspoken--a man who was bigger than life for me--an almost unnoticeable marker denoted his final resting place. <BR><BR>El Hajj Malik El-Shabazz, the name Malcolm X adopted as a Muslim, changed his views on race relations after visiting Mecca, adopting the belief that the races could transcend their differences.&nbsp;With tears on my cheeks, I placed a red rose on Malcolm’s gravestone and left the cemetery marveling how tears, a solitary flower and an unassuming marker were memorializing such an extraordinary life.&nbsp;&nbsp;&nbsp; <BR><BR>In contrast, I also visited Dr. Martin Luther King, Jr.’s final resting place in Atlanta, GA, located in an historical district devoted to his legacy which includes: a memorial park, a beautiful marble crypt sitting in an azure blue reflecting pool not far from the modest house where he was born, the church where he and his father preached, Ebenezer Baptist Church, and the Martin Luther King, Jr., Center for Nonviolent Social Change, Inc.&nbsp;&nbsp;Extraordinary monuments for this man’s extraordinary journey!&nbsp;&nbsp;&nbsp;<BR><BR>Malcolm X, and Dr. King both lived incredible lives, both cut short by assassins’ bullets, both killed in service for their people. Two men, two very different monuments. <BR><BR></FONT><FONT size=2>Bio:&nbsp;Nadine Oduor writes not only from the inky dark waters of her soul, but from its light and magic, just completing the first black fairytale, Beyond the Chrysalis, a children’s book, and an animated script, chronicling the journey of a beautiful black princess and her prince, in a mystical world of fairies, dragons, unicorns, sorceresses, and other enchanted creatures.</FONT></FONT>]]></content></entry><entry><title>Late To The Party</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/02/10/late-to-the-party.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-02-10:32dd3275-8819-4486-bfa0-de123a88b99e</id><author><name>Adele Nieves</name></author><category term="Submissions" /><category term="Late To The Party" /><category term="February" /><updated>2008-04-06T20:32:49Z</updated><published>2008-02-10T16:42:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman" size=3>Our February <EM>Late To The Party </EM>submission is from </FONT><A href="http://www.wrightminded.com/"><STRONG><FONT face="Times New Roman" size=3>Wright Minded</FONT></STRONG></A><FONT face="Times New Roman" size=3>:<BR><BR>Want to live into your dreams? Consider this workshop!</FONT></P>
<P><STRONG><FONT face="Times New Roman" size=3>The Choice: Mastering the Mind, Living the Dream. </FONT></STRONG></P>
<P><FONT face="Times New Roman" size=3>Does it still ache – that unspeakable emptiness in your gut that asks, “Where’s <U>my</U> life?” Your soul whispers that you’re here to be something magnificent in this precious life. It’s time. Come re-find <EM>your </EM>heart’s song and re-member <EM>your</EM> inner voice of wisdom again.</FONT></P>
<P><FONT face="Times New Roman"><FONT size=3><STRONG>The Choice</STRONG> will hush the dulling voices in your head that claim your dreams are impossible. This weekend isn't merely a few relaxing days to escape. You will cross a bridge that spans from what is to what will be. Others precede you, never to return to the drabness of yet another lifeless day. You can too. Learn to develop your “Law of Attraction” muscle, crystalize key desires and direction, silence debilitating self-talk, master the focus of your powerful mind, use coincidence as divine clues, defeat life-robbing procrastination, feel more daily peace and focus, build an inspiring and doable plan, and relax into a renewed spirit and confidence.</FONT></FONT></P>
<P><FONT face="Times New Roman"><FONT size=3><STRONG>What You'll Get</STRONG><BR>&nbsp;<BR><STRONG>The Choice</STRONG> is a priceless opportunity to take the time to really consider how you think, what you believe, and whether it's getting you what you want. During the retreat you'll:<BR><BR></FONT></FONT></P>
<UL>
<LI><FONT face="Times New Roman" size=3>Explore how thoughts create things </FONT></LI>
<LI><FONT face="Times New Roman" size=3>See why fear attracts what you don’t want </FONT></LI>
<LI><FONT face="Times New Roman" size=3>Use emotion to magnetize your desires </FONT></LI>
<LI><FONT face="Times New Roman" size=3>Learn to silence debilitating self-talk </FONT></LI>
<LI><FONT face="Times New Roman" size=3>Develop your “Law of Attraction” muscle </FONT></LI>
<LI><FONT face="Times New Roman" size=3>Clarify your key desires and direction </FONT></LI>
<LI><FONT face="Times New Roman" size=3>Build a dream-happening plan </FONT></LI>
<LI><FONT face="Times New Roman" size=3>Have fun, recalibrate, then fly! </FONT></LI></UL>
<P><FONT face="Times New Roman"><FONT size=3><STRONG>Imagine what you could do by mastering even one of these skills!</STRONG><BR>&nbsp;<BR><STRONG>Don't wait another day. You deserve more happiness and freedom. </STRONG><BR>Sign up now: </FONT></FONT><A href="http://www.wrightminded.com/public_workshops.html"><FONT face="Times New Roman" size=3>http://www.wrightminded.com/public_workshops.html</FONT></A><BR><FONT face="Times New Roman" size=3>&nbsp;<BR>Brochure: </FONT><A href="http://www.wrightminded.com/thechoice.pdf"><FONT face="Times New Roman" size=3>http://www.wrightminded.com/thechoice.pdf</FONT></A></P>
<P><FONT face="Times New Roman" size=3>Led by Karen Wright, internationally renowned author and facilitator, a handful of women will gather on the breathtaking Oregon coast to shed the past and breathe in new life. Be one of them. Give yourself the gift of time, clarity, life. Make March 7-9 the turning point where you left the beaten path to experience a fresh start. </FONT></P>
<P><FONT face="Times New Roman" size=2>Bio: Karen Wright is a personal development coach, public speaker and author, her work is dedicated to this one, yet ever-present, battle - to expose fear as the impotent imposter it is and encourage hearts to dare boldly and dream confidently</FONT></P>
<P><BR></P>]]></content></entry><entry><title>Two Opportunities</title><link rel="alternate" href="http://blog.liquidwordsproductions.com/2008/02/06/two-opportunities.aspx" /><id>tag:blog.liquidwordsproductions.com,2008-02-06:dbc12992-386c-447e-b92e-0cca6ab74c9c</id><author><name>Melisa Resch</name></author><category term="Opportunities" /><updated>2008-04-06T20:33:27Z</updated><published>2008-02-06T19:56:00Z</published><content type="html"><![CDATA[<P><FONT face="Times New Roman"><FONT size=3><STRONG>"Call for Entries”</STRONG><BR><BR><STRONG>The Go On Girl! Book Club, Inc., t</STRONG>he nation’s largest reading group for Black women invites you to write your way to $500!<BR><BR>&nbsp;<BR>Founded in 1990, <STRONG>The Go On Girls</STRONG> are a spirited group of sisters who love a good read.&nbsp; We currently boast 29 chapters in 12 states with more than 350 members.&nbsp;Our mission is to encourage the literary pursuits of people of African descent.&nbsp; In this vain, since 1993, we have bestowed our coveted “Author of the Year” award and our “New Author of the Year” award on such talents as Octavia Butler, Gloria Naylor, Valerie Wilson Wesley, Connie Briscoe, Stephen L. Carter and Pearl Cleage, just to name a few.&nbsp; In the year 2008, we will host our annual awards weekend in Toronto ,Canada .&nbsp; Will you be honored there among our literary giants?&nbsp; Read on for details on how to apply for the prestigious “Unpublished Writer” Award.<BR><BR>Award Guidelines:<BR><BR>1.&nbsp; Applicants may reside anywhere within the United States<BR><BR>2.&nbsp; Applicant must mail three copies of an original, unpublished fiction work&nbsp;(short story or novel excerpt) not to exceed 2,000&nbsp; typed&nbsp;words on double-spaced pages<BR><BR>3.&nbsp; Applicant must include a cover sheet with the following information:&nbsp;applicant’s name, address, telephone number and e-mail where possible; 250-word biographical sketch, including your writing goals and current status<BR><BR>4.&nbsp; Mail your cover sheet, three copies of your manuscript, and your bio by March 15, 2008 to:<BR>&nbsp;&nbsp;&nbsp;&nbsp; GOG Awards Committee<BR>&nbsp;&nbsp;&nbsp;&nbsp; Pat Houser<BR>&nbsp;&nbsp;&nbsp;&nbsp; P.O. Box 1656 <BR>&nbsp;&nbsp;&nbsp;&nbsp; New York, NY&nbsp; 10163-1656 <BR><BR>5.&nbsp; The $500 winner will be notified by April 30, 2008 , and will be invited, along with a guest, to attend our annual awards ceremony.&nbsp; The winner’s work may be featured in the <STRONG>Go On </STRONG><STRONG>Girl!</STRONG> quarterly newsletter and/or on our website.<BR>ALL ENTRIES MUST BE POSTMARKED BY MARCH 15, 2008</FONT></FONT></P>
<P><FONT face="Times New Roman" size=3>For info. on the Unpublished Writer Award and the Educational Scholarship contact: <BR>Pat Houser, National Co-Chair, Scholarship Chair<BR>email:&nbsp; </FONT><A href="mailto:pathouser@aol"><FONT face="Times New Roman" size=3>pathouser@aol</FONT></A><FONT face="Times New Roman" size=3>. com; tele: </FONT><?XML:NAMESPACE PREFIX = SKYPE /><SKYPE:SPAN onmouseup="javascript:skype_tb_imgOnOff(this,1,'0',true,16,'');return skype_tb_stopEvents();" class=skype_tb_injection onmousedown="javascript:skype_tb_imgOnOff(this,2,'0',true,16,'');return skype_tb_stopEvents();" id=softomate_highlight_0 onmouseover="javascript:skype_tb_imgOnOff(this,1,'0',true,16,'');" title="Call this phone number in United States of America with Skype: +12124552522" onclick="javascript:doRunCMD('call','0',null,0);return skype_tb_stopEvents();" onmouseout="javascript:skype_tb_imgOnOff(this,0,'0',true,16,'');" durex="0" context="212-455-2522" IamRTL="0"><SKYPE:SPAN onmouseup="javascript:doSkypeFlag(this,'0',1,1,16);return skype_tb_stopEvents();" class=skype_tb_imgA onmousedown="javascript:doSkypeFlag(this,'0',2,1,16);return skype_tb_stopEvents();" id=skype_tb_droppart_0 onmouseover="javascript:doSkypeFlag(this,'0',1,1,16);" title="Skype actions" style="BACKGROUND-IMAGE: url(C:\DOCUME~1\owner\LOCALS~1\Temp\__SkypeIEToolbar_Cache\e70d95847a8f5723cfca6b3fd9946506\static\inactive_a.compat.flex.w16.gif)" onclick="javascript:skype_tb_SwitchDrop(this,'0','sms=0');return skype_tb_stopEvents();" onmouseout="javascript:doSkypeFlag(this,'0',0,1,16);"><SKYPE:SPAN class=skype_tb_imgFlag id=skype_tb_img_f0 style="BACKGROUND-IMAGE: url(C:\DOCUME~1\owner\LOCALS~1\Temp\__SkypeIEToolbar_Cache\e70d95847a8f5723cfca6b3fd9946506\static\famfamfam/US.gif)"><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_imgS id=skype_tb_img_s0><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_injectionIn id=skype_tb_text0><SKYPE:SPAN class=skype_tb_innerText id=skype_tb_innerText0><FONT face="Times New Roman" size=3>212-455-2522</FONT></SKYPE:SPAN></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_imgR id=skype_tb_img_r0><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN></SKYPE:SPAN><FONT face="Times New Roman" size=3> <BR><BR>___________________________<BR><BR><BR><STRONG>THE LOST TECHNOLOGIES HOTLINE</STRONG><BR><BR>Call </FONT><SKYPE:SPAN onmouseup="javascript:skype_tb_imgOnOff(this,1,'1',true,16,'');return skype_tb_stopEvents();" class=skype_tb_injection onmousedown="javascript:skype_tb_imgOnOff(this,2,'1',true,16,'');return skype_tb_stopEvents();" id=softomate_highlight_1 onmouseover="javascript:skype_tb_imgOnOff(this,1,'1',true,16,'');" title="Call this phone number in United States of America with Skype: +12068889118" onclick="javascript:doRunCMD('call','1',null,0);return skype_tb_stopEvents();" onmouseout="javascript:skype_tb_imgOnOff(this,0,'1',true,16,'');" durex="0" context="206-888-9118" IamRTL="0"><SKYPE:SPAN onmouseup="javascript:doSkypeFlag(this,'1',1,1,16);return skype_tb_stopEvents();" class=skype_tb_imgA onmousedown="javascript:doSkypeFlag(this,'1',2,1,16);return skype_tb_stopEvents();" id=skype_tb_droppart_1 onmouseover="javascript:doSkypeFlag(this,'1',1,1,16);" title="Skype actions" style="BACKGROUND-IMAGE: url(C:\DOCUME~1\owner\LOCALS~1\Temp\__SkypeIEToolbar_Cache\e70d95847a8f5723cfca6b3fd9946506\static\inactive_a.compat.flex.w16.gif)" onclick="javascript:skype_tb_SwitchDrop(this,'1','sms=0');return skype_tb_stopEvents();" onmouseout="javascript:doSkypeFlag(this,'1',0,1,16);"><SKYPE:SPAN class=skype_tb_imgFlag id=skype_tb_img_f1 style="BACKGROUND-IMAGE: url(C:\DOCUME~1\owner\LOCALS~1\Temp\__SkypeIEToolbar_Cache\e70d95847a8f5723cfca6b3fd9946506\static\famfamfam/US.gif)"><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_imgS id=skype_tb_img_s1><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_injectionIn id=skype_tb_text1><SKYPE:SPAN class=skype_tb_innerText id=skype_tb_innerText1><FONT face="Times New Roman" size=3>206-888-9118</FONT></SKYPE:SPAN></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_imgR id=skype_tb_img_r1><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN></SKYPE:SPAN><FONT face="Times New Roman" size=3> from Thursday, January 31 through Friday, February 8th.</FONT></P>
<P><FONT face="Times New Roman" size=3>Dear friends, family, classmates, acquaintances and strangers,<BR><BR>I'm writing to invite all of you to help me with an instant project that I'm putting together for an exhibit in Brooklyn at the end of February. The exhibit will showcase work from Famous Magazine Issue #10: Nobody's Famous in New York, in which I have a small story.<BR><BR>Details on location and dates of the show are below.</FONT></P>
<P><FONT face="Times New Roman" size=3>My project is called the Lost Technologies Hotline. I have obtained avoicemail box, </FONT><SKYPE:SPAN onmouseup="javascript:skype_tb_imgOnOff(this,1,'2',true,16,'');return skype_tb_stopEvents();" class=skype_tb_injection onmousedown="javascript:skype_tb_imgOnOff(this,2,'2',true,16,'');return skype_tb_stopEvents();" id=softomate_highlight_2 onmouseover="javascript:skype_tb_imgOnOff(this,1,'2',true,16,'');" title="Call this phone number in United States of America with Skype: +12068889118" onclick="javascript:doRunCMD('call','2',null,0);return skype_tb_stopEvents();" onmouseout="javascript:skype_tb_imgOnOff(this,0,'2',true,16,'');" durex="0" context="206-888-9118" IamRTL="0"><SKYPE:SPAN onmouseup="javascript:doSkypeFlag(this,'2',1,1,16);return skype_tb_stopEvents();" class=skype_tb_imgA onmousedown="javascript:doSkypeFlag(this,'2',2,1,16);return skype_tb_stopEvents();" id=skype_tb_droppart_2 onmouseover="javascript:doSkypeFlag(this,'2',1,1,16);" title="Skype actions" style="BACKGROUND-IMAGE: url(C:\DOCUME~1\owner\LOCALS~1\Temp\__SkypeIEToolbar_Cache\e70d95847a8f5723cfca6b3fd9946506\static\inactive_a.compat.flex.w16.gif)" onclick="javascript:skype_tb_SwitchDrop(this,'2','sms=0');return skype_tb_stopEvents();" onmouseout="javascript:doSkypeFlag(this,'2',0,1,16);"><SKYPE:SPAN class=skype_tb_imgFlag id=skype_tb_img_f2 style="BACKGROUND-IMAGE: url(C:\DOCUME~1\owner\LOCALS~1\Temp\__SkypeIEToolbar_Cache\e70d95847a8f5723cfca6b3fd9946506\static\famfamfam/US.gif)"><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_imgS id=skype_tb_img_s2><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_injectionIn id=skype_tb_text2><SKYPE:SPAN class=skype_tb_innerText id=skype_tb_innerText2><FONT face="Times New Roman" size=3>206-888-9118</FONT></SKYPE:SPAN></SKYPE:SPAN><SKYPE:SPAN class=skype_tb_imgR id=skype_tb_img_r2><FONT face="Times New Roman" size=3></FONT></SKYPE:SPAN></SKYPE:SPAN><FONT fa